MESSIANIC FAITH SALVATION MISSION-MEFAISM

“Repent, or else I shall come to you speedily and fight against them with the sword of My mouth." REVELATION 2:16

OUR MOTTO
"Indeed, our lives are guided by faith, not by sight".
OUR MISSION
"Of course we are human, but we don't fight like humans.The weapons we use in our fight are not made by humans. Rather, they are powerful weapons from God. With them we destroy people's defenses, that is, their arguments and all their intellectual arrogance that oppose the knowledge of God.We take every thought captive so that it is obedient to Christ.We are ready to punish every act of disobedience when you have become completely obedient."
VISION
"To deliver good news to humble people,to heal those who are brokenhearted,to announce that captives will be set free and prisoners will be released,to announce the year of the LORD's good will and the day of our God's vengeance, to comfort all those who grieve.To provide for all those who grieve in House Of God,to give them crowns instead of ashes, the oil of joy instead of [tears of] grief, and clothes of praise instead of a spirit of weakness. They will be called Oaks of Righteousness, the Plantings of the LORD, so that he might display his glory."
THE 7 TRUMPETS SERMON
SERMON ON REVELATION 8 AM
Analysis Of The Chapters
One seal of the mysterious roll Revelation 5:1 remains to be broken - six having already disclosed the contents of the volume relating to the future. It was natural that the opening of the seventh, and the last, should be attended with circumstances of special solemnity, as being all that remained in this volume to be unfolded, and as the events thus far had been evidently preparatory to some great catastrophe. It would have been natural to expect that, like the six former, this seal would have been opened at once, and would have disclosed all that was to happen at one view. But, instead of that, the opening of this seal is followed by a series of events, seven also in number, which succeed each other, represented by new symbols - the blowing of as many successive trumpets. These circumstances retard the course of the action, and fix the mind on a new order of events - events which could be appropriately grouped together, and which, for some reason, might be thus more appropriately represented than they could be in so many successive seals. What was the reason of this arrangement will be more readily seen on an examination of the particular events referred to in the successive trumpet-blasts. The points in the chapter are the following:

(1) The opening of the seventh seal, Revelation 8:1. This is attended, not with an immediate exhibition of the events which are to occur, as in the case of the former seals, but with a solemn silence in heaven for the space of half an hour. The reason of this silence, apparently, is found in the solemn nature of the events which are anticipated. At the opening of the sixth seal (Revelation 6:12 ff) the grand catastrophe of the world's history seemed about to occur. This had been suspended for a time, as if by the power of angels holding the winds and the storm Revelation 7, and now it was natural to expect that there would be a series of overwhelming calamities. In view of these apprehended terrors, the inhabitants of heaven are represented as standing in awful silence, as if anticipating and apprehending what was to occur. This circumstance adds much to the interest of the scene, and is a forcible illustration of the position which the mind naturally assumes in the anticipation of dreaded events. Silence - solemn and awful silence - is the natural state of the mind under such circumstances. In accordance with this expectation of what was to come, a series of new representations is introduced, adapted to prepare the mind for the fearful disclosures which are yet to be made.

(2) seven angels appear, on the opening of the seal, to whom are given seven trumpets, as if they were appointed to perform an important part in introducing the series of events which was to follow, Revelation 8:2.

(3) as a still further preparation, another angel is introduced, standing at the altar with a golden censer, Revelation 8:3-5. He is represented as engaged in a solemn act of worship, offering incense and the prayers of the saints before the throne. This unusual representation seems to be designed to denote that some extraordinary events were to occur, making it proper that incense should ascend, and prayer be offered to deprecate the wrath of God. After the offering of the incense, and the prayers, the angel takes the censer and casts it to the earth; and the effect is, that there are voices, and thunderings, and lightnings, and an earthquake. All these would seem to be symbolical of the fearful events which are to follow. The silence; the incense-offering; the prayers; the fearful agitations produced by the casting of the censer upon the earth, as if the prayer was not heard, and as if the offering of the incense did not avail to turn away the impending wrath - all are appropriate symbols to introduce the series of fearful calamities which were coming upon the world on the sounding of the trumpets.

(4) the first angel sounds, Revelation 8:7. Hail and fire follow, mingled with blood. The third part of the trees and of the green grass - that is, of the vegetable world - is consumed.

(5) the second angel sounds, Revelation 8:8-9. A great burning mountain is cast into the sea, and the third part of the sea becomes blood, and a third part of all that is in the sea - fishes and ships - is destroyed.

(6) the third angel sounds, Revelation 8:10-11. A great star, burning like a lamp, falls from heaven upon a third part of the rivers, and upon the fountains of waters, and the waters become bitter, and multitudes of people die from drinking the waters.

(7) the fourth angel sounds, Revelation 8:12. The calamity falls on the sources of light - the sun, the moon, and the stars - and the third part of the light is extinguished, and for the third part of the day there is no light, and for the third part of the night also there is no light.

(8) at this stage of things, after the sounding of the four trumpets, there is a pause, and an angel flies through the midst of heaven, thrice crying woe, by reason of the remaining trumpets which are to sound, Revelation 8:13. Here would seem to be some natural interval, or something which would separate the events which had occurred from those which were to follow. These four, from some cause, are grouped together, and are distinguished from those which are to follow - as if the latter pertained to a new class of events, though under the same general group introduced by the opening of the seventh seal. A few general remarks are naturally suggested by the analysis of the chapter, which may aid us in its exposition and application:

(a) These events, in their order, undoubtedly succeed those which are referred to under the opening of the first six seals. They are a continuation of the series which is to occur in the history of the world. It has been supposed by some that the events here symbolized are substantially the same as those already referred to under the first six seals, or that, at the opening of the sixth seal, there is a catastrophe; and, one series being there concluded, the writer, by a new set of symbols, goes back to the same point of time, and passes over the same period by a new and parallel set of symbols. But this is manifestly contrary to the whole design. At the first Revelation 5:1 a volume was exhibited, sealed with seven seals, the unrolling of which would manifestly develop successive events, and the whole of which would embrace all the events which were to be disclosed. When all these seven seals were broken, and the contents of that volume were disclosed, there might indeed be another set of symbols going over the same ground with another design; or giving a representation of future events in some other point of view; but clearly the series should not be broken until the whole seven seals are opened, nor should it be supposed that there is, in the opening of the same volume, an arresting of the course of events, in order to go back again to the same beginning.

The representation in this series of symbols is like drawing out a telescope. A telescope might be divided into seven parts, as well as into the usual number, and the drawing out of the seventh part, for example, might be regarded as a representation of the opening of the seventh seal. But the seventh part, instead of being one unbroken piece like the other six, might be so constructed as to be subdivided into seven minor parts, each representing a smaller portion of the seventh part. In such a case, the drawing out of the seventh division would succeed that of the others, and would be designed to represent a subsequent order of events.

(b) There was some reason, manifestly, why these seven last events, or the series represented by the seven trumpets, should be grouped together, as coming under the same general classification. They were sufficiently distinct to make it proper to represent them by different symbols, and yet they had so much of the same general character as to make it proper to group them together. If this had not been so it would have been proper to represent them by a succession of seals extending to thirteen in number, instead of representing six seals in succession, and then, under the seventh, a new series extending also to the number seven. In the fulfillment, it will be proper to look for some events which have some such natural connection and bearing that, for some reason, they can be classed together, and yet so distinct that, under the same general symbol of the seal, they can be represented under the particular symbol of the trumpets.

(c) For some reason there was a further distinction between the events represented by the first four trumpets and those which were to follow. There was some reason why they should be more particularly grouped together, and placed in close connection, and why there should be an interval Revelation 8:13 before the other trumpet should sound. In the fulfillment of this we should naturally look for such an order of events as would be designated by four successive symbols, and then for such a change, in some respects, as to make an interval proper, and a proclamation of woe, before the sounding of the other three, Revelation 8:13. Then it would be natural to look for such events as could properly be grouped under the three remaining symbols - the three succeeding trumpets.

(d) It is natural, as already intimated, to suppose that the entire group would extend, in some general manner at least, to the consummation of all things; or that there would be under the last one, a reference to the consummation of all things - the end of the world. The reason for this has already been given, that the apostle saw a volume Revelation 5:1, which contained a sealed account of the future, and it is natural to suppose that there would be a reference to the great leading events which were to occur in the history of the church and of the world. This natural anticipation is confirmed by the events disclosed under the sounding of the seventh trumpet (Revelation 11:15 ff): "And the seventh angel sounded; and there were great voices in heaven, saying, The kingdoms of this world are become the kingdoms of our Lord, and of his Christ, and he shall reign forever and ever. And the four and twenty elders, which sat before God on their seats, fell upon their faces, and worshipped God, saying, We give thee thanks, O Lord God Almighty, which art, and wast, and art to come; because thou hast taken thy great power, and hast reigned," etc. At all events, this would lead us on to the final triumph of Christianity - to the introduction of the millennium of glory - to the period when the Son of God should reign on the earth. After that (Revelation 11:19 ff) a new series of visions commences, disclosing, through the same periods of history, a new view of the church to the time also of its final triumph: the church internally; the rise of Antichrist, and the effect of the rise of this formidable power. See the Analysis of the Book, part fifth.

Revelation 8:1
And when he had opened the seventh seal, there was silence in heaven about the space of half an hour.
And when he had opened the seventh seal - See the notes on Revelation 5:1.

There was silence in heaven - The whole scene of the vision is laid in heaven Revelation 4:1-11, and John represents things as they seem to be passing there. The meaning here is, that on the opening of this seal, instead of voices, thunderings, tempests, as perhaps was expected from the character of the sixth seal (Revelation 6:12 ff), and which seemed only to have been suspended for a time Revelation 7, there was an awful stillness, as if all heaven was reverently waiting for the development. Of course this is a symbolical representation, and is designed not to represent a pause in the events themselves, but only the impressive and fearful nature of the events which are now to be disclosed.

About the space of half an hour - He did not profess to designate the time exactly. It was a brief period - yet a period which in such circumstances would appear to be long - about half an hour. The word used here - ἡμιώριον hēmiōrion - does not occur elsewhere in the New Testament. It is correctly rendered "half an hour"; and, since the day was divided into twelve parts from the rising to the setting of the sun, the time designated would not vary much from half an hour with us. Of course, therefore, this denotes a brief period. In a state, however, of anxious suspense, the moments would seem to move slowly; and to see the exact force of this, we are to reflect on the scenes represented - the successive opening of seals disclosing most important events - increasing in interest as each new one was opened; the course of events which seemed to be leading to the consummation of all things, arrested after the opening of the sixth seal; and now the last in the series to be opened, disclosing what the affairs of the world would be at the consummation of all things.

John looks on this; and in this state of suspense the half hour may have seemed an age. We are not, of course, to suppose that the silence in heaven is produced by the character of the events which are now to follow - for they are as yet unknown. It is caused by what, from the nature of the previous disclosures, was naturally apprehended, and by the fact that this is the last of the series - the finishing of the mysterious volume. This seems to me to be the obvious interpretation of this passage, though there has been here, as in other parts of the Book of Revelation, a great variety of opinion as to the meaning. Those who suppose that the whole book consists of a triple series of visions designed to prefigure future events, parallel with each other, and each leading to the consummation of all things - the series embracing the seals, the trumpets, and the vials, each seven in number - regard this as the proper ending of the first of this series, and suppose that we have on the opening of the seventh seal the beginning of a new symbolical representation, going over the same ground, under the representations of the trumpets, in a new aspect or point of view.

Eichorn and Rosenmuller suppose that the silence introduced by the apostle is merely for effect, and that, therefore, it is without any special signification. Grotius applies the whole representation to the destruction of Jerusalem, and supposes that the silence in heaven refers to the restraining of the winds referred to in Revelation 7:1 - the wrath in respect to the city, which was now suspended for a short time. Prof. Stuart also refers it to the destruction of Jerusalem, and supposes that the seven trumpets refer to seven gradations in the series of judgments that were coming upon the persecutors of the church. Mr. Daubuz regards the silence here referred to as a symbol of the liberty granted to the church in the time of Constantine; Vitringa interprets it of the peace of the millennium which is to succeed the overthrow of the beast and the false prophet; Dr. Woodhouse and Mr. Cunninghame regard it as the termination of the series of events which thee former seals denote, and the commencement of a new train of revelations; Mr. Elliott, as the suspension of the winds during the sealing of the servants of God; Mr. Lord, as the period of repose which intervened between the close of the persecution by Diocletian and Galerius, in 311, and the commencement, near the close of that year, of the civil wars by which Constantine the Great was elevated to the imperial throne.

It will be seen at once how arbitrary and unsatisfactory most of those interpretations are, and how far from harmony expositors have been as to the meaning of this symbol. The most simple and obvious interpretation is likely to be the true one; and that is, as above suggested, that it refers to silence in heaven as expressive of the fearful anticipation felt on opening the last seal that was to close the series, and to wind up the affairs of the church and the world. Nothing would be more natural than such a state of solemn awe on such an occasion; nothing would introduce the opening of the seal in a more impressive manner; nothing would more naturally express the anxiety of the church, the probable feelings of the pious on the opening of these successive seals, than the representation that incense, accompanied with their prayers, was continually offered in heaven.

Revelation 8:2
And I saw the seven angels which stood before God; and to them were given seven trumpets.
And I saw the seven angels which stood before God - Prof. Stuart supposes that by these angels are meant the "presence-angels" which he understands to be referred to, in Revelation 1:4, by the "seven spirits which are before the throne." If, however, the interpretation of that passage above proposed, that it refers to the Holy Spirit, with reference to his multiplied agency and operations, be correct, then we must seek for another application of the phrase here. The only difficulty in applying it arises from the use of the article - "the seven angels" - τοὺς tous as if they were angels already referred to; and as there has been no previous mention of "seven angels," unless it be in the phrase "the seven spirits which are before the throne," in Revelation 1:4, it is argued that this must have been such a reference. But this interpretation is not absolutely necessary. John might use this language either because the angels had been spoken of before; or because it would be sufficiently understood, from the common use of language, who would be referred to - as we now might speak of "the seven members of the cabinet of the United States," or "the thirty-one governors of the states of the Union," though they had not been particularly mentioned; or he might speak of them as just then disclosed to his view, and because his meaning would be sufficiently definite by the circumstances which were to follow - their agency in blowing the trumpets.

It would be entirely in accordance with the usage of the article for one to say that he saw an army, and the commander-in-chief, and the four staff-officers, and the five bands of music, and the six companies of sappers and miners, etc. It is not absolutely necessary, therefore, to suppose that these angels had been before referred to. There is, indeed, in the use of the phrase "which stood before God," the idea that they are to be regarded as permanently standing there, or that that is their proper place - as if they were angels who were particularly designated to this high service. Compare Luke 1:19; "I am Gabriel, that stand in the presence of God." If this idea is involved in the phrase, then there is a sufficient reason why the article is used, though they had not before been mentioned.

And to them were given seven trumpets - One to each. By whom the trumpets were given is not said. It may be supposed to have been done by Him who sat on the throne. Trumpets were used then, as now, for various purposes; to summon an assembly; to muster the hosts of battle; to inspirit and animate troops in conflict. Here they are given to announce a series of important events producing great changes in the world as if God summoned and led on his hosts to accomplish his designs.

Revelation 8:3
And another angel came and stood at the altar, having a golden censer; and there was given unto him much incense, that he should offer it with the prayers of all saints upon the golden altar which was before the throne.
And another angel came - Who this angel was is not mentioned, nor have we any means of determining. Of course a great variety of opinion has been entertained on the subject (see Poole's Synopsis) - some referring it to angels in general; others to the ministry of the church; others to Constantine; others to Michael; and many others to the Lord Jesus. All that we know is, that it was an angel who thus appeared, and there is nothing inconsistent in the supposition that anyone of the angels in heaven may have been appointed to perform what is here represented. The design seems to be, to represent the prayers of the saints as ascending in the anticipation of the approaching series of wonders in the world - and there would be a beautiful propriety in representing them as offered by an angel, feeling deep interest in the church, and ministering in behalf of the saints.

And stood at the altar - In heaven - represented as a temple with an altar, and with the usual array of things employed in the worship of God. The altar was the appropriate place for him to stand when about to offer the prayers of the saints for that is the place where the worshipper stood under the ancient dispensation. Compare the Matthew 5:23-24 notes; Luke 1:11 note. In the latter place an angel is represented as appearing to Zacharias "on the right side of the altar of incense."

Having a golden censer - The firepan, made for the purpose of carrying fire, on which to burn incense in time of worship. See it described and illustrated in the notes on Hebrews 9:4. There seems reason to suppose that the incense that was offered in the ancient worship was designed to be emblematic of the prayers of saints, for it was the custom for worshippers to be engaged in prayer at the time the incense was offered by the priest. See Luke 1:10.

And there was given unto him much incense - See the notes on Luke 1:9. A large quantity was here given to him, because the occasion was one on which many prayers might be expected to be offered.

That he should offer it with the prayers - Margin, "add it to." Greek, "that he should give it with" - δώση dōsē. The idea is plain, that, when the prayers of the saints ascended, he would also burn the incense, that it might go up at the same moment, and be emblematic of them. Compare the notes on Revelation 5:8.

Of all saints - Of all who are holy; of all who are the children of God. The idea seems to be, that, at this time, all the saints would unite in calling on God, and in deprecating his wrath. As the events which were about to occur were a matter of common interest to the people of God, it was to be supposed that they would unite in common supplication.

Upon the golden altar - The altar of incense. This in the tabernacle and in the temple was overlaid with gold.

Which was before the throne - This is represented as a temple-service, and the altar of incense is, with propriety, placed before his seat or throne, as it was in the tabernacle and temple. In the temple, God is represented as occupying the mercy-seat in the holy of holies, and the altar of incense is in the holy place before that. See the description of the temple in the notes on Matthew 21:12.

Revelation 8:4
And the smoke of the incense, which came with the prayers of the saints, ascended up before God out of the angel's hand.
And the smoke of the incense ... - The smoke caused by the burning incense. John, as he saw this, naturally interpreted it of the prayers of the saints. The meaning of the whole symbol, thus explained, is that, at the time referred to, the anxiety of the church in regard to the events which were about to occur would naturally lead to much prayer. It is not necessary to attempt to verify this by any distinct historical facts, for no one can doubt that, in a time of such impending calamities, the church would be earnestly engaged in devotion. Such has always been the case in times of danger; and it may always be assumed to be true, that when danger threatens, whether it be to the church at large or to an individual Christian, there will be a resort to the throne of grace.

Revelation 8:5
And the angel took the censer, and filled it with fire of the altar, and cast it into the earth: and there were voices, and thunderings, and lightnings, and an earthquake.
And the angel took the censer - Revelation 8:3. This is a new symbol, designed to furnish a new representation of future events. By the former it had been shown that there would be much prayer offered; by this it is designed to show that, notwithstanding the prayer that would be offered, great and fearful calamities would come upon the earth. This is symbolized by casting the censer upon the earth, as if the prayers were not heard any longer, or as if prayer were now in vain.

And filled it with fire of the altar - An image similar to this occurs in Ezekiel 10:2, where the man clothed in linen is commanded to go between the wheels under the cherub, and fill his hands with coals of fire from between the cherubims, and to scatter them over the city as a symbol of its destruction. Here the coals are taken, evidently, from the altar of sacrifice. Compare the notes on Isaiah 6:1. On these coals no incense was placed, but they were thrown at once to the earth. The new emblem, therefore, is the taking of coals, and scattering them abroad as a symbol of the destruction that was about to ensue.

And cast it into the earth - Margin, upon. The margin expresses undoubtedly the meaning. The symbol, therefore, properly denoted that fearful calamities were about to come upon the earth. Even the prayers of saints did not prevail to turn them away, and now the symbol of the scattered coals indicated that terrible judgments were about to come upon the world.

And there were voices - Sounds, noises. See the notes on Revelation 4:5. The order is not the same here as there, but lightnings, thunderings, and voices are mentioned in both.

And an earthquake - Revelation 6:12. This is a symbol of commotion. It is not necessary to look for a literal fulfillment of it, anymore than it is for literal "voices," "lightnings," or "thunderings."

Revelation 8:6
And the seven angels which had the seven trumpets prepared themselves to sound.
And the seven angels which had the seven trumpets prepared themselves to sound - Revelation 8:7. Evidently in succession, perhaps by arranging themselves in the order in which they were to sound. The way is now prepared for the sounding of the trumpets, and for the fearful commotions and changes which would be indicated by that. The last seal is opened; heaven stands in suspense to know what is to be disclosed; the saints, filled with solicitude, have offered their prayers; the censer of coals has been cast to the earth, as if these judgments could be no longer stayed by prayer; and the angels prepare to sound the trumpets indicative of what is to occur.

Revelation 8:7
The first angel sounded, and there followed hail and fire mingled with blood, and they were cast upon the earth: and the third part of trees was burnt up, and all green grass was burnt up.
The first angel sounded - The first in order, and indicating the first in the series of events that were to follow.

And there followed hail - Hail is usually a symbol of the divine vengeance, as it has often been employed to accomplish the divine purposes of punishment. Thus, in Exodus 9:23, "And the Lord sent thunder and hail, and the fire ran along the ground; and the Lord rained hail upon the land of Egypt." So in Psalm 105:32, referring to the plagues upon Egypt, it is said, "He gave them hail for rain, and flaming fire in their land." So again, Psalm 78:48, "He gave up their cattle also to the hail, and their flocks to hot thunderbolts." As early as the time of Job hail was understood to be an emblem of the divine displeasure, and an instrument in inflicting punishment:

"Hast thou entered into the treasures of the snow,

Or hast thou seen the treasure of the hail?

Which I have reserved against the time of trouble,

Against the day of battle and war!"

Revelation 8:8
And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea: and the third part of the sea became blood;
And the second angel sounded - Compare the notes on Revelation 8:2-7. This, according to the interpretation proposed above, refers to the second of the four great events which contributed to the downfall of the Roman empire. It will be proper in this case, as in the former, to inquire into the literal meaning of the symbol, and then whether there was any event that corresponded with it.

And as it were a great mountain - A mountain is a natural symbol of strength, and hence becomes a symbol of a strong and powerful kingdom; for mountains arc not only places of strength in themselves, but they anciently answered the purposes of fortified places, and were the seats of power. Hence, they are properly symbols of strong nations. "The stone that smote the image became a great mountain, and filled the whole earth," Daniel 2:35. Compare Zechariah 4:7; Jeremiah 51:25. We naturally, then, apply this part of the symbol to some strong and mighty nation - not a nation, necessarily, that issued from a mountainous region but a nation that in strength resembled a mountain.

Burning with fire - A mountain in a blaze; that is, with all its woods on fire, or, more probably, a volcanic mountain. There would perhaps be no more sublime image than such a mountain lifted suddenly from its base and thrown into the sea. One of the sublimest parts of the Paradise Lost is that where the poet represents the angels in the great battle in heaven as lifting the mountains - tearing them from their base - and hurling them on the foe:

"From their foundations heaving to and fro,

They plucked the seated hills, with all their load,

Rocks, waters, woods, and by the shaggy tops

Uplifting, bore them in their hands," etc.

Book vi.

The poet, however, has not, as John has, represented a volcano borne along and cast into the sea. The symbol employed here would denote some fiery, impetuous, destructive power. If used to denote a nation, it would be a nation that was, as it were, burning with the desire of conquest - impetuous, and fierce, and fiery in its assaults - and consuming all in its way.

Cast into the sea - The image is very sublime; the scene, should such an event occur, would be awfully grand. As to the fulfillment of this, or the thing that was intended to be represented by it, there cannot be any material doubt. It is not to be understood literally, of course; and the natural application is to some nation, or army, that has a resemblance in some respects to such a blazing mountain, and the effect of whose march would be like casting such a mountain into the ocean. We naturally look for agitation and commotion, and particularly in reference to the sea, or to some maritime coasts. It is undoubtedly required in the application of this, that we should find its fulfillment in some country lying beyond the sea, or in some seacoast or maritime country, or in reference to commerce.

And the third part of the sea became blood - Resembled blood; became as red as blood. The figure here is, that as such a blazing mountain cast into the sea would, by its reflection on the waters, seem to tinge them with red, so there would be something corresponding with this in what was referred to by the symbol. It would be fulfilled if there was a fierce maritime warfare, and if in some desperate naval engagement the sea should be tinged with blood.

Revelation 8:9
And the third part of the creatures which were in the sea, and had life, died; and the third part of the ships were destroyed.
And the third part of the creatures which were in the sea, and had life, died - The effect was as if one-third of all the fish in the sea were cut off. Of course this is not to be taken literally. It is designed to describe an effect, pertaining to the maritime portion of the world, as if a third portion of all that was in the sea should perish. The natural interpretation would be to apply it to some invasion or calamity pertaining to the sea - to the islands, to the maritime regions, or to commerce. If the whole description pertains to the Roman empire, then this might be supposed to have particular reference to something that would have a bearing on the maritime parts of that empire.

And the third part of the ships were destroyed - This also pertains to the same general calamity, affecting the commerce of the empire. The destruction of the "ships" was produced, in some way, by casting the mountain into the sea - either by their being consumed by the contact with the burning mass, or by being sunk by the agitation of the waters. The essential idea is, that the calamity would be of such a nature as would produce the destruction of vessels at sea - either naval armaments, or ships of commerce. In looking now for the application or fulfillment of this, it is necessary:

(a) to find some event or events which would have a particular bearing on the maritime or commercial part of the world; and,

(b) some such event or events that, on the supposition that they were the things referred to, would be properly symbolized by the image here employed:

(1) If the first trumpet had reference to the invasion of Alaric and the Goths, then in this we naturally look for the next succeeding act of invasion which shook the Roman empire, and contributed to its fall.

(2) the next invasion was that under Genseric, at the head of the Vandals (Gibbon, ii. 306ff). This occurred 428-468 ad.

(3) The symbol of a blazing or burning mountain, torn from its foundation, and precipitated into the ocean, would well represent this mighty nation moved from its ancient seat, and borne along toward the maritime parts of the empire, and its desolations there - as will be shown in the following remarks.

(4) the acts of the Vandals, under Genseric, corresponded with the ideas expressed by the symbol. In illustrating this I shall be indebted, as heretofore, principally to Mr. Gibbon:

(a) His general account of the Vandals is this: they are supposed (i. 138) to have been originally the same people with the Goths, the Goths and Vandals constituting one great nation living on the shores of the Baltic. They passed in connection with them over the Baltic; emigrated to Prussia and the Ukraine; invaded the Roman provinces; received tribute from the Romans; subdued the countries about the Bosphorus; plundered the cities of Bithynia; ravaged Greece and Illyrium, and were at last settled in Thrace under the emperor Theodosius (Gibbon, i.-136-166; ii.-110-150). They were then driven forward by the Huns, and having passed through France and Spain into Africa, conquered the Carthaginian territory, established an independent government, and thence through a long period harassed the neighboring islands, and the coasts of the Mediterranean by their predatory incursions, destroying the ships and the commerce of the Romans, and were distinguished in the downfall of the empire by their ravages on the islands and the sea. Thus, they were moved along from place to place until the scene of their desolations became more distinctly the maritime parts of the empire; and the effect of their devastations might be well compared with a burning mountain moved from its ancient base, and then thrown into the sea.

(b) This will be apparent from the statements of Mr. Gibbon in regard to their ravages under their leader Genseric. "Seville and Carthagena became the reward, or rather the prey of the ferocious conquerors" (after they had defeated the Roman Castinus), "and the vessels which they found in the harbor of Carthagena might easily transport them to the isles of Majorca and Minorca, where the Spanish fugitives, as in a secure recess, had vainly concealed their families and fortunes. The experience of navigation, and perhaps the prospect of Africa, encouraged the Vandals to accept the invitation which they received from Count Boniface" (to aid him in his apprehended difficulties with Rome, and to enter into an alliance with him by settling permanently in Africa (Gibbon, ii. 305, 306)): "and the death of Goaderic" (the Vandal king) "served only to forward and animate the bold enterprise. In the room of a prince, not conspicuous for any superior powers of the mind or body, they acquired his bastard brother, the terrible Genseric - a name which, in the destruction of the Roman empire, has deserved an equal rank with the names of Alaric and Attila." "The ambition of Genseric was almost without bounds, and without scruples; and the warrior could dexterously employ the dark engines of policy to solicit the allies who might be useful to his success, or to scatter among his enemies the seeds of enmity and contention. Almost in the moment of his departure he was informed that Hermanric, king of the Suevi, had presumed to ravage the Spanish territories, which he was resolved to abandon. Impatient of the insult, Genseric pursued the hasty retreat of the Suevi as far as Merida; precipitated the king and his army into the river Anas, and calmly returned to the seashore to embark his troops. The vessels which transported the Vandals over the modern Straits of Gibraltar, a channel only twelve miles in breadth, were furnished by the Spaniards, who anxiously wished for their departure; and by the African general who had implored their formidable assistance" (Gibbon, ii. 306. Genseric, in the accomplishment of his purposes, soon took possession of the northern coast of Africa, defeating the armies of Boniface, and "Carthage, Cirta, and Hippo Regius were the only cities that appeared to rise above the general inundation" (Gibbon, ii. 308). "On a sudden," says Mr. Gibbon (ii. 309), "the seven fruitful provinces, from Tangier to Tripoli, were overwhelmed by the invasion of the Vandals; whose destructive rage has perhaps been exaggerated by popular animosity, religious zeal, and extravagant declamation. War in its fairest form implies a perpetual violation of humanity and justice; and the hostilities of barbarians are inflamed by the fierce and lawless spirit which perpetually disturbs their peaceful and domestic society. The Vandals, where they found resistance, seldom gave quarter; and the deaths of their valiant countrymen were expiated by the ruin of the cities under whose walls they had fallen," etc.

The result of the invasion was the conquest of all northern Africa; the reduction of Hippo and Carthage, and the establishment of a government under Genseric in Africa that waged a long war with Rome (Gibbon, ii. 310, 311). The symbol before us has particular reference to maritime or naval operations and desolations, and the following extracts from Mr. Gibbon will show with what propriety, if this symbol was designed to refer to him, these images were employed. "The discovery and conquest of the black nations (in Africa) that might dwell beneath the torrid zone could not tempt the rational ambition of Genseric; but he east his eyes toward the sea; he resolved to create a naval power, and his bold resolution was executed with steady and active perseverance. The woods of Mount Atlas afforded an inexhaustible supply of timber; his new subjects were skilled in the arts of navigation and ship-building; he animated his daring Vandals to embrace a mode of warfare which would render every maritime country accessible to their arms; the Moors and Africans were allured by the hope of plunder; and after an interval of six centuries the fleets that issued from the port of Carthage again claimed the empire of the Mediterranean. The success of the Vandals, the conquest of Sicily, the sack of Palermo, and the frequent descents on the coasts of Lucania, awakened and alarmed the mother of Valentinian and the sister of Theodosius. Alliances were formed; and armaments, expensive and ineffectual, were prepared for the destruction of the common enemy, who reserved his courage to encounter those dangers which his policy could not prevent or elude.

The revolutions of the palace, which left the Western empire without a defender and without a lawful prince, dispelled the apprehension and stimulated the avarice of Genseric. He immediately equipped a numerous fleet of Vandals and Moors, and cast anchor at the mouth of the Tiber," etc. (Gibbon, ii. 352). "On the third day after the tumult (455 a.d., on the death of Maximus) Genseric boldly advanced from the port of Ostia to the gates of the defenseless city. Instead of a sally of the Roman youth, there issued from the gates an unarmed and venerable procession of the bishop at the head of the clergy. But Rome and its inhabitants were delivered to the licentiousness of the Vandals and the Moors, whose blind passions revenged the injuries of Carthage. The pillage lasted fourteen days and nights; and all that yet remained of public or private wealth, of sacred or profane treasure, was diligently transported to the vessels of Genseric," etc.

See the account of this pillage in Gibbon, ii.-355-366. The emperor Majorian (457 a.d.) endeavored to "restore the happiness of the Romans," but he encountered the arms of Genseric, from his character and situation their most formidable enemy. A fleet of Vandals and Moors landed at the mouth of the Liris, or Garigliano; but the imperial troops surprised and attacked the disorderly barbarians, who were encumbered with the spoils of Campania; they were chased with slaughter to their ships; and their leader, the king's brother-in-law, was found in the number of the slain. Such vigilance might announce the character of the new reign; but the strictest vigilance, and the most numerous forces, were insufficient to protect the long-extended coast of Italy from the depredations of a naval war" (Gibbon, ii. 363). "The emperor had foreseen that it was impossible, without a maritime power, to achieve the conquest of Africa. In the first Punic war the republic had exerted such incredible diligence, that within sixty days after the first stroke of the axe had been given in the forest a fleet of one hundred and sixty galleys proudly rode at anchor in the sea. Under circumstances much less favorable Majorian equalled the spirit and perseverance of the ancient Romans. The woods of the Apennines were felled, the arsenals and manufactures of Ravenna and Misenium were restored, Italy and Gaul vied with each other in liberal contributions to the public service; and the imperial navy of 300 large galleys, with an adequate proportion of transports and smaller vessels, was collected in the secure and capacious harbor of Carthagena in Spain" (Gibbon, ii. 363, 364).

The fate of this large navy is thus described by Mr. Gibbon: "Genseric was saved from impending and inevitable ruin by the treachery of some powerful subjects; envious or apprehensive of their master's success. Guided by their secret intelligence, he surprised the unguarded fleet in the bay of Carthagena; many of the ships were sunk, or taken, or burnt; and the preparations of three years were destroyed in a single day," ii. 364. The further naval operations and maritime depredations of the Vandals under Genseric are thus stated by Mr. Gibbon: "The kingdom of Italy, a name to which the Western empire was gradually reduced, was afflicted, under the reign of Ricimer, by the incessant depredations of Vandal pirates. In the spring of each year they equipped a formidable navy in the port of Carthage; and Genseric himself, though in very advanced age, still commanded in person the most important expeditions. His designs were concealed with impenetrable secrecy until the moment that he hoisted sail. When he was asked by the pilot what course he should steer - 'Leave the determination to the winds,' replied the barbarian, with pious arrogance; 'they will transport us to the guilty coast whose inhabitants have provoked the divine justice;' but if Genseric himself deigned to issue more precise orders, he judged the most wealthy to be the most criminal.

The Vandals repeatedly visited the coasts of Spain, Liguria, Tuscany, Campania, Lucania, Bruttium, Apulia, Calabria, Venetia, Dalmatia, Epirus, Greece, and Sicily; they were tempted to subdue the island of Sardinia, so advantageously placed in the center of the Mediterranean; and their arms spread desolation, or terror, from the Columns of Hercules to the mouth of the Nile. As they were more ambitious of spoil than of glory, they seldom attacked any fortified cities, or engaged any regular troops in the open field. But the celerity of their motions enabled them, almost at the same time, to threaten and to attack the most distant objects which attracted their desires; and as they always embarked a sufficient number of horses, they had no sooner landed than they swept the dismayed country with a body of light cavalry," ii. 366. How far this description agrees with the symbol in the passage before us - "a great mountain burning with fire cast into the sea"; "the third part of the ships were destroyed" - must be left to the reader to judge.

It may be asked, however, with at least some show of reason, whether, if it be admitted that it was the design of the author of the Book of Revelation to refer to the movements of the Vandals under Genseric as one of the important and immediate causes of the ruin of the Roman empire, he could have found a more expressive symbol than this? Indeed, is there now any symbol that would be more striking and appropriate? If one should now undertake to represent this as one of the causes of the (downfall of the empire by a symbol, could he easily find one that would be more expressive? It is a matter that is in itself perhaps of no importance, but it may serve to show that the interpretation respecting the second trumpet was not forced, to remark that I had gone through with the interpretation of the language of the symbol before I looked into Mr. Gibbon with any reference to the application.

Revelation 8:10
And the third angel sounded, and there fell a great star from heaven, burning as it were a lamp, and it fell upon the third part of the rivers, and upon the fountains of waters;
And the third angel sounded - Indicating, according to the interpretation above proposed, some important event in the downfall of the Roman empire.

And there fell a great star from heaven - A star is a natural emblem of a prince, of a ruler, of one distinguished by rank or by talent. Compare the notes on Revelation 2:28. See Numbers 24:17, and the notes on Isaiah 14:12. A star falling from heaven would be a natural symbol of one who had left a higher station, or of one whose character and course would be like a meteor shooting through the sky.

Burning as it were a lamp - Or, as a torch. The language here is such as would describe a meteor blazing through the air; and the reference in the symbol is to something that would have a resemblance to such a meteor. It is not a lurid meteor (livid, pale, ghastly) that is here referred to, but a bright, intense, blazing star - emblem of fiery energy; of rapidity of movement and execution; of splendor of appearance - such as a chieftain of high endowments, of impetuousness of character, and of richness of apparel, would be. In all languages, probably, a star has been an emblem of a prince whose virtues have shone brightly, and who has exerted a beneficial influence on mankind. In all languages also, probably, a meteor flaming through the sky has been an emblem of some splendid genius causing or threatening desolation and ruin; of a warrior who has moved along in a brilliant but destructive path over the world; and who has been regarded as sent to execute the vengeance of heaven. This usage occurs because a meteor is so bright; because it appears so suddenly; because its course cannot be determined by any known laws; and because, in the apprehensions of people, it is either sent as a proof of the divine displeasure, or is adapted to excite consternation and alarm. In the application of this part of the symbol, therefore, we naturally look for some prince or warrior of brilliant talents, who appears suddenly and sweeps rapidly over the world; who excites consternation and alarm; whose path is marked by desolation, and who is regarded as sent from heaven to execute the divine purposes - who comes not to bless the world by brilliant talents well directed, but to execute vengeance on mankind.

And it fell upon the third part of the rivers, and upon the fountains of waters - On the phrase, "the third part," see the notes on Revelation 8:7. This reference to the "rivers" and to the "fountains of waters" seems, in part, to be for the purpose of saying that everything would be affected by this series of judgments. In the previous visions the trees and the green grass, the sea and the ships, had been referred to. The rivers and the fountains of waters are not less important than the trees, the grass, and the commerce of the world, and hence this judgment is mentioned as particularly bearing on them. At the same time, as in the case of the other trumpets, there is a propriety in supposing that there would be something in the event referred to by the symbol which would make it more appropriate to use this symbol in this case than in the others. It is natural, therefore, to look for some desolations that would particularly affect the portions of the world where rivers abound, or where they take their rise; or, if it be understood as having a more metaphorical sense, to regard it as affecting those things which resemble rivers and fountains - the sources of influence; the morals, the religion of a people, the institutions of a country, which are often so appropriately compared with running fountains or flowing streams.

Revelation 8:11
And the name of the star is called Wormwood: and the third part of the waters became wormwood; and many men died of the waters, because they were made bitter.
And the name of the star is called Wormwood - Is appropriately so called. The writer does not say that it would be actually so called, but that this name would be properly descriptive of its qualities. Such expressions are common in allegorical writings. The Greek word - ἄψινθος apsinthos - denotes "wormwood," a well-known bitter herb. That word becomes the proper emblem of bitterness. Compare Jeremiah 9:15; Jeremiah 23:15; Lamentations 3:15, Lamentations 3:19.

And the third part of the waters became wormwood - Became bitter as wormwood. This is doubtless an emblem of the calamity which would occur if the waters should be thus made bitter. Of course they would become useless for the purposes to which they are mostly applied, and the destruction of life would be inevitable. To conceive of the extent of such a calamity we have only to imagine a large portion of the wells, and rivers, and fountains of a country made bitter as wormwood. Compare Exodus 15:23-24.

And many men died of the waters, because they were made bitter - This effect would naturally follow if any considerable portion of the fountains and streams of a land were changed by an infusion of wormwood. It is not necessary to suppose that this is intended to be literally true; for as, by the use of a symbol, it is not to be supposed that literally a part of the waters would be turned into wormwood by the baleful influence of a falling meteor, so it is not necessary to suppose that there is intended to be represented a literal destruction of human life by the use of waters. Great destruction and devastation are undoubtedly intended to be denoted by this - destruction that would be well represented in a land by the natural effects if a considerable part of the waters were, by their bitterness, made unfit to drink.

In the interpretation and application, therefore, of this passage, we may adopt the following principles and rules:

(a) It may be assumed, in this exposition, that the previous symbols, under the first and second trumpet-blasts, referred respectively to Alaric and his Goths, and to Genseric and his Vandals.

(b) That the next great and decisive event in the downfall of the empire is the one that is here referred to.

(c) That there would be some chieftain or warrior who might be compared with a blazing meteor; whose course would be singularly brilliant; who would appear suddenly like a blazing star, and then disappear like a star whose light was quenched in the waters.

(d) That the desolating course of that meteor would be mainly on those portions of the world that abounded with springs of water and running streams.

(e) That an effect would be produced as if those streams and fountains were made bitter; that is, that many persons would perish, and that wide desolations would be caused in the vicinity of those rivers and streams, as if a bitter and baleful star should fall into the waters, and death should spread over the lands adjacent to them, and watered by them.

Whether any events occurred of which this would be the proper emblem is now the question. Among expositors there has been a considerable degree of unanimity in supposing that Attila, the king of the Huns, is referred to; and if the preceding expositions are correct, there can be no doubt on the subject. After Alaric and Genseric, Attila occupies the next place as an important agent in the overthrow of the Roman empire, and the only question is, whether he would be properly symbolized by this baleful star. The following remarks may be made to show the propriety of the symbol:

(1) As already remarked, the place which he occupies in history, as immediately succeeding Alaric and Genseric in the downfall of the empire. This will appear in any chronological table, or in the table of contents of any of the histories of those times. A full detail of the career of Attila may be found in Gibbon, vol. ii. pp. 314-351. His career extended from 433 a.d. to 453 a.d. It is true that he was contemporary with Genseric, king of the Vandals, and that a portion of the operations of Genseric in Africa were subsequent to the death of Attila (455 a.d. to 467 a.d.); but it is also true that Genseric preceded Attila in the career of conquest, and was properly the first in order, being pressed forward in the Roman warfare by the Huns, 428 a.d. See Gibbon, ii.306ff.

(2) In the manner of his appearance he strongly resembled a brilliant meteor flashing in the sky. He came from the east, gathering his Huns, and poured them down, as we shall see, with the rapidity of a flashing meteor, suddenly on the empire. He regarded himself also as devoted to Mars, the god of war, and was accustomed to array himself in a especially brilliant manner, so that his appearance, in the language of his flatterers, was such as to dazzle the eyes of beholders. One of his followers perceived that a heifer that was grazing had wounded her foot, and curiously followed the track of blood, until he found in the long grass the point of an ancient sword, which he dug out of the ground and presented to Attila. "That magnanimous, or rather that artful prince," says Mr. Gibbon, "accepted with pious gratitude this celestial favor; and, as the rightful possessor of the sword of Mars, asserted his divine and indefeasible claim to the dominion of the earth. The favorite of Mars soon acquired a sacred character, which rendered his conquests more easy and more permanent; and the barbarian princes confessed, in the language of devotion or flattery, that they could not presume to gaze, with a steady eye, on the divine majesty of the king of the Huns," ii. 317. How appropriate would it be to represent such a prince by the symbol of a bright and blazing star - or a meteor flashing through the sky!

(3) there may be propriety, as applicable to him, in the expression - "a great star from heaven failing upon the earth." Attila was regarded as an instrument in the divine hand in inflicting punishment. The common appellation by which he has been known is "the scourge of God." This title is supposed by the modern Hungarians to have been first given to Attila by a hermit of Gaul, but it was "inserted by Attila among the titles of his royal dignity" (Gibbon, ii. 321, foot-note). To no one could the title be more applicable than to him.

(4) his career as a conqueror, and the effect of his conquests on the downfall of the empire, were such as to be properly symbolized in this manner:

(a) The general effect of the invasion was worthy of an important place in describing the series of events which resulted in the overthrow of the empire. This is thus stated by Mr. Gibbon: "The western world was oppressed by the Goths and Vandals, who fled before the Huns; but the achievements of the Huns themselves were not adequate to their power and prosperity. Their victorious hordes had spread from the Volga to the Danube, but the public force was exhausted by the discord of independent chieftains; their valor was idly consumed in obscure and predatory excursions; and they often degraded their national dignity by condescending, for the hopes of spoil, to enlist under the banners of their fugitive enemies. In the reign of Attila the Huns again became the terror of the world; and I shall now describe the character and actions of that formidable barbarian who alternately invaded and insulted the East and the West, and urged the rapid downfall of the Roman empire, 'vol. ii. pp. 314, 315.

(b) The parts of the earth affected by the invasion of the Huns were those which would be properly symbolized by the things specified at the blowing of this trumpet. It is said particularly that the effect would be on "the rivers," and on "the fountains of waters." If this has a literal application, or if, as was supposed in the case of the second trumpet, the language used was such as had reference to the portion of the empire that would be particularly affected by the hostile invasion, then we may suppose that this refers to those portions of the empire that abounded in rivers and streams, and more particularly those in which the rivers and streams had their origin - for the effect was permanently in the "fountains of waters." As a matter of fact, the principal operations of Attila were in the regions of the Alps, and on the portions of the empire whence the rivers flow down into Italy. The invasion of Attila is described by Mr. Gibbon in this general language: "The whole breadth of Europe, as it extends above five hundred miles from the Euxine to the Adriatic, was at once invaded, and occupied, and desolated, by the myriads of barbarians whom Attila led into the field," ii. 319, 320.

After describing the progress and the effects of this invasion (pp. 320-331) he proceeds more particularly to detail the events in the invasion of Gaul and Italy, pp. 331-347. After the terrible battle of Chalons, in which, according to one account, one hundred and sixty-two thousand, and, according to other accounts, three hundred thousand persons were slain, and in which Attila was defeated, he recovered his vigor, collected his forces, and made a descent on Italy. Under pretence of claiming Honoria, the daughter of the Empress of Rome, as his bride, "the indignant lover took the field, passed the Alps, invaded Italy, and besieged Aquileia with an innumerable host of barbarians." After endeavoring in vain for three months to subdue the city, and when about to abandon the siege, Attila took advantage of the appearance of a stork as a favorable omen to arouse his men to a renewed effort, "a large breach was made in the part of the wall where the stork had taken her flight; the Huns mounted to the assault with irresistible fury; and the succeeding generation could scarcely discover the ruins of Aquileia. After this dreadful chastisement Attila pursued his march; and as he passed, the cities of Altinum, Concordia, and Padua were reduced into heaps of stones and ashes. The inland towns, Vicenza, Verona, and Bergamo, were exposed to the rapacious cruelty of the Huns; Milan and Pavia submitted without resistance to the loss of their wealth, and applauded the unusual clemency which preserved from the flames the public as well as the private buildings, and spared the lives of the captive multitude. The popular traditions of Comum, Turin, or Modena, may be justly suspected, yet they concur with more authentic evidence to prove that Attila spread his ravages over the rich plains of modern Lombardy, which are divided by the Po, and bounded by the Alps and the Apennines," ii. pp. 343, 344. "It is a saying worthy of the ferocious pride of Attila, that the grass never grew on the spot where his horse had trod" (ibid. p. 345). Anyone has only to look on a map, and to trace the progress of those desolations and the chief seats of his military operations to see with what propriety this symbol would be employed. In these regions the great rivers that water Europe have their origin, and are swelled by numberless streams that flow down from the Alps; and about the fountains whence these streams flow were the principal military operations of the invader.

(c) With equal propriety is he represented in the symbol as affecting "a third" part of these rivers and fountains. At least a third part of the empire was invaded and desolated by him in his savage march, and the effects of his invasion were as disastrous on the empire as if a bitter star had fallen into a third part of those rivers and fountains, and had converted them into wormwood.

(d) There is one other point which shows the propriety of this symbol. It is, that the meteor, or star, seemed to be absorbed in the waters. It fell into the waters; embittered them; and was seen no more. Such would be the case with a meteor that should thus fall upon the earth - flashing along the sky, and then disappearing forever. Now, it was remarkable in regard to the Huns, that their power was concentrated under Attila; that he alone appeared as the leader of this formidable host; and that when he died all the concentrated power of the Huns was dissipated, or became absorbed and lost. "The revolution," says Mr. Gibbon (ii. 348), "which subverted the empire of the Huns, established the fame of Attila, whose genius alone had sustained the huge and disjointed fabric. After his death the boldest chieftains aspired to the rank of kings; the most powerful kings refused to acknowledge a superior; and the numerous sons, whom so many various mothers bore to the deceased monarch, divided and disputed, like a private inheritance, the sovereign command of the nations of Germany and Scythia." Soon, however, in the conflicts which succeeded, the empire passed away, and the empire of the Huns ceased. The people that composed it were absorbed in the surrounding nations, and Mr. Gibbon makes this remark, after giving a summary account of these conflicts, which continued but for a few years: "The Igours of the north, issuing from the cold Siberian regions, which produced the most valuable furs, spread themselves over the desert, as far as the Borysthenes and the Caspian gates, and finally extinguished the empire of the Huns." These facts may, perhaps, show with what propriety Attila would be compared with a bright but beautiful meteor; and that, if the design was to symbolize him as acting an important part in the downfall of the Roman empire, there is a fitness in the symbol here employed.

Revelation 8:12
And the fourth angel sounded, and the third part of the sun was smitten, and the third part of the moon, and the third part of the stars; so as the third part of them was darkened, and the day shone not for a third part of it, and the night likewise.
And the fourth angel sounded - See the notes at Revelation 8:6-7.

And the third part of the sea was smitten - On the phrase the third part, see the notes on Revelation 8:7. The darkening of the heavenly luminaries is everywhere an emblem of any great calamity - as if the light of the sun, moon, and stars should be put out. See the notes on Revelation 6:12-13. There is no certain evidence that this refers to rulers, as many have supposed, or to anything that would particularly affect the government as such. The meaning is, that calamity would come as if darkness should spread over the sun, the moon, and the stars, leaving the world in gloom. What is the precise nature of the calamity is not indicated by the language, but anything that would diffuse gloom and disaster would accord with the fair meaning of the symbol. There are a few circumstances, however, in regard to this symbol which may aid us in determining its application:

(1) It would follow in the series of calamities that were to occur.

(2) it would be separated in some important sense - of time, place, or degree - from those which were to follow, for there is a pause here Revelation 8:13, and the angel proclaims that more terrible woes are to succeed this series.

(3) like the preceding, it is to affect "one third part" of the world; that is, it is to be a calamity as if a third part of the sun, the moon, and the stars were suddenly smitten and darkened.

(4) it is not to be total. It is not as if the sun, the moon, and the stars were entirely blotted out, for there was still some remaining light; that is, there was a continuance of the existing state of things - as if these heavenly bodies should still give an obscure and partial light.

(5) perhaps it is also intended by the symbol that there would be light again. The world was not to go into a state of total and permanent night. For a third part of the day, and a third part of the night, this darkness reigned; but does not this imply that there would be light again - that the obscurity would pass away, and that the sun, and moon, and stars would shine again? That is, is it not implied that there would still be prosperity in some future period? Now, in regard to the application of this, if the explanation of the preceding symbols is correct, there can be little difficulty. If the previous symbols referred to Alaric, to Genseric, and to Attila, there can be no difficulty in applying this to Odoacer, and to his reign - a reign in which, in fact, the Roman dominion in the West came to an end, and passed into the hands of this barbarian. Anyone has only to open the Decline and Fall of the Roman Empire, to see that this is the next event that should be symbolized if the design were to represent the downfall of the empire.

These four great barbarian leaders succeed each other in order, and under the last, Odoacer, the barbarian dominion was established; for it is here that the existence of the Roman power, as such, ended. The Western empire terminated, according to Mr. Gibbon (ii. p. 380), about 476 or 479 a.d. Odoacer was "King of Italy" from 476 a.d. to 490 a.d. (Gibbon, ii. 379). The Eastern empire still lingered, but calamity, like blotting out the sun, and moon, and stars, had come over that part of the world which for so many centuries had constituted the seat of power and dominion. Odoacer was the son of Edecon, a barbarian, who was in the service of Attila, and who left two sons - Onulf and Odoacer. The former directed his steps to Constantinople; Oloacer "led a wandering life among the barbarians of Noricum, with a mind and fortune suited to the most desperate adventures; and when he had fixed his choice, he piously visited the cell of Severinus, the popular saint of the country, to solicit his approbation and blessing. The lowness of the door would not admit the lofty stature of Odoacer; he was obliged to stoop; but in that humble attitude the saint could discern the symptoms of his future greatness; and addressing him in a prophetic tone, 'Pursue,' said he, 'your design; proceed to Italy; you will soon cast away this coarse garment of skins; and your wealth will be adequate to the liberality of your mind.' The barbarian, whose daring spirit accepted and ratified this prediction, was admitted into the service of the Western empire, and soon obtained an honorable rank in the guards.

His manners were gradually polished, his military skill improved; and the confederates of Italy would not have elected him for their general unless the exploits of Odoacer had established a high opinion of his courage and capacity. Their military acclamations saluted him with the title of king; but he abstained during his whole reign from the use of the purple and the diadem, lest he should offend those princes whose subjects, by their accidental mixture, had formed the victorious army which time and policy might insensibly unite into a great nation" (Gibbon, ii. 379, 380). In another place Mr. Gibbon says: "Odoacer was the first barbarian who reigned in Italy, over a people who had once asserted their superiority above the rest of mankind. The disgrace of the Romans still excites our respectful compassion, and we fondly sympathize with the imaginary grief and indignation of their degenerate posterity. But the calamities of Italy had gradually subdued the proud consciousness of freedom and glory. In the age of Roman virtue the provinces were subject to the arms, and the citizens to the laws, of the republic; until those laws were subverted by civil discord, and both the city and the provinces became the servile property of a tyrant. The forms of the constitution which alleviated or disguised their abject slavery were abolished by time and violence; the Italians alternately lamented the presence or the absence of the sovereigns whom they detested or despised; and the succession of five centuries inflicted the various evils of military license, capricious despotism, and elaborate oppression.

During the same period the barbarians had emerged from obscurity and contempt, and the warriors of Germany and Scythia were introduced into the provinces, as the servants, the allies, and at length the masters of the Romans, whom they insulted or protected," ii. 381, 382. Of the effect of the reign of Odoacer Mr. Gibbon remarks: "In the division and decline of the empire the tributary harvests of Egypt and Africa were withdrawn; the numbers of the inhabitants continually decreased with the means of subsistence; and the country was exhausted by the irretrievable losses of war, famine, and pestilence. Ambrose has deplored the ruin of a populous district, which had been once adorned with the flourishing cities of Bologna, Modena, Rhegium, and Placentia. Pope Gelasius was a subject of Odoacer; and he affirms, with strong exaggeration, that in Aemilia, Tuscany, and the adjacent provinces the human species was almost extirpated. One-third of those ample estates, to which the ruin of Italy is originally imputed, was extorted for the use of the conquerors," ii.383.

Yet the light was not wholly extinct. It was "a third part" of it which was put out; and it was still true that some of the forms of the ancient constitution were observed - that the light still lingered before it wholly passed away. In the language of another, "The authority of the Roman name had not yet entirely ceased. The senate of Rome continued to assemble as usual. The consuls were appointed yearly, one by the Eastern emperor, one by Italy and Rome. Odoacer himself governed Italy under a title - that of Patrician - conferred on him by the Eastern emperor. There was still a certain, though often faint, recognition of the supreme imperial authority. The moon and the stars might seem still to shine in the West, with a dim reflected light. In the course of the events, however, which rapidly followed in the next half-century, these too were extinguished. After above a century and a half of calamities unexampled almost, as Dr. Robertson most truly represents it, in the history of nations, the statement of Jerome - a statement couched under the very Apocalyptic figure of the text, but prematurely pronounced on the first taking of Rome by Alaric - might be considered at length accomplished: 'Clarissimum terrarum lumen extincturn est' - 'The world's glorious sun has been extinguished;' or, as the modern poet Byron (Childe Harold, canto iv.) has expressed it, still under the Apocalyptic imagery:

'She saw her glories star by star expire, '

Till not even one star remained to glimmer in the vacant and dark night" (Elliott, i. 360, 361).

I have thus endeavored to explain the meaning of the four first trumpets under the opening of the seventh seal, embracing the successive severe blows struck on the empire by Alaric, Genseric, Attila, and Odoacer, until the empire fell, to rise no more. I cannot better conclude this part of the exposition than in the words of Mr. Gibbon, in his reflections on the fall of the empire. "I have now accomplished," says he, "the laborious narrative of the decline and fall of the Roman empire, from the fortunate age of Trajan and the Antonines to its total extinction in the West, about five centuries after the Christian era. At that unhappy period the Saxons fiercely struggled with the natives for the possession of Britain; Gaul and Spain were divided between the powerful monarchies of the Franks and the Visigoths, and the dependent kingdoms of the Suevi and the Burgundians; Africa was exposed to the cruel persecution of the Vandals, and the savage insults of the Moors; Rome and Italy, as far as the banks of the Danube, were afflicted by an army of barbarian mercenaries, whose lawless tyranny was succeeded by the reign of Theodoric the Ostrogoth. All the subjects of the empire, who, by the use of the Latin language, more particularly deserved the name and privileges of Romans, were oppressed by the disgrace and calamities of foreign conquest; and the victorious nations of Germany established a new system of manners and government in the western countries of Europe. The majesty of Rome was faintly represented by the princes of Constantinople, the feeble and imaginary successors of Augustus" (vol. ii. pp. 440, 441). "The splendid days of Augustus and Trajan were eclipsed by a cloud of ignorance (a fine illustration of the language 'the third part of the sun was smitten, and the day shone not, and the night likewise'); and the barbarians subverted the laws and palaces of Rome" (ibid. p. 446).

Thus ended the history of the Gothic period, and, as I suppose, the immediate symbolic representation of the affairs of the Western empire. An interval now occurs Revelation 8:13 in the sounding of the trumpets, and the scene is transferred, in the three remaining trumpets, to the Eastern parts of the empire. After that the attention is directed again to the West, to contemplate Rome under a new form, and exerting a new influence in the nations, under the papacy, but destined ultimately to pass away in its spiritual power, as its temporal power had yielded to the elements of internal decay in its bosom, and to the invasions of the northern hordes.

Revelation 8:13
And I beheld, and heard an angel flying through the midst of heaven, saying with a loud voice, Woe, woe, woe, to the inhabiters of the earth by reason of the other voices of the trumpet of the three angels, which are yet to sound!
And I beheld - My attention was attracted by a new vision.

And heard an angel flying, ... - I heard the voice of an angel making this proclamation.
Woe, woe, woe - That is, there will be great woe. The repetition of the word is intensive, and the idea is, that the sounding of the three remaining trumpets would indicate great and fearful calamities. These three are grouped together as if they pertained to a similar series of events, as the first four had been. The two classes are separated from each other by this interval and by this proclamation - implying that the first series had been completed, and that there would be some interval, either of space or time, before the other series would come upon the world. All that is fairly implied here would be fulfilled by the supposition that the former referred to the West, and that the latter pertained to the East, and were to follow when those should have been completed.

The three remaining trumpets Revelation 9-11 are usually called the woe-trumpets, in reference to the proclamation of woes, Revelation 8:13 (Prof. Stuart). The three extend, as I suppose, to the end of time, or, as it is supposed by the writer himself Revelation 11:15, to the period when "the kingdoms of this world shall have become the kingdoms of Christ," embracing a succinct view of the most material events that were to occur, particularly in a secular point of view. See the Analysis prefixed to the book. In Revelation 11:19, as I understand it, a new view is commenced, referring to the church internally; the rise of Antichrist, and the effect of the rise of that formidable power on the internal history of the church, to the time of its overthrow, and the triumphant establishment of the kingdom of God. This, of course, synchronizes in its beginning and its close with the portion already passed over, but with a different view. See the Analysis prefixed to Revelation 11:19 ff.

This chapter Revelation 9 contains properly three parts. First, a description of the first of those trumpets, or the fifth in the order of the whole, Revelation 9:1-12. This woe is represented under the figure of calamities brought upon the earth by an immense army of locusts. A star is seen to fall from heaven representing some mighty chieftain, and to him is given the key of the bottomless pit. He opens the pit, and then comes forth an innumerable swarm of locusts that darken the heavens, and they go forth upon the earth. They have a command given them to do a certain work. They are not to hurt the earth, or any green thing, but they are sent against those people which have not the seal of God on their foreheads. Their main business, however, was not to kill them, but to torment them for a limited time - for five months. A description of the appearance of the locusts then follows. Though they are called locusts, because in their general appearance, and in the ravages they commit, they resemble them, yet, in the main, they are imaginary beings, and combine in themselves qualities which are never found united in reality.

They had a strong resemblance to horses prepared for battle; they wore on their heads crowns of gold; they had the faces of men but the hair of women and the teeth of lions. They had breastplates of iron, and tails like scorpions, with stings in their tails. They had a mighty king at their head, with a name significant of the destruction which he would bring upon the world. These mysterious beings had their origin in the bottomless pit, and they are summoned forth to spread desolation upon the earth. Second, a description of the second of these trumpets, the sixth in order, Revelation 9:13-19. When this is sounded, a voice is heard from the four horns of the altar which is before God. The angel is commanded to loose the four angels which are bound in the great river Euphrates. These angels are loosed - angels which had been prepared for a definite period - a day, and a month, and a year, to slay the third part of people.

The number of the army that would appear - composed of cavalry - is stated to amount to two hundred thousand, and the uniqueness qualities of these horsemen are then stated. They are remarkable for having breastplates of fire, and jacinth, and brimstone; the heads of the horses resemble lions; and they breathe forth fire and brimstone. A third part of people fall before them, by the fire, and the smoke, and the brimstone. Their power is in their mouth and in their tails, for their tails are like serpents. Third, a statement of the effect of the judgments brought upon the world under these trumpets, Revelation 9:20-21. The effect, so far as the reasonable result could have been anticipated, is lost. The nations are not turned from idolatry. Wickedness still abounds, and there is no disposition to repent of the abominations which had been so long practiced on the earth.

Revelation 9:1
And the fifth angel sounded, and I saw a star fall from heaven unto the earth: and to him was given the key of the bottomless pit.
And the fifth angel sounded - See the notes on Revelation 8:6-7.

And I saw a star fall from heaven unto the earth - This denotes, as was shown in the notes on Revelation 8:10, a leader, a military chieftain, a warrior. In the fulfillment of this, as in the former case, we look for the appearance of some mighty prince and warrior, to whom is given power, as it were, to open the bottomless pit, and to summon forth its legions. That some such agent is denoted by the star is further apparent from the fact that it is immediately added, that "to him (the star) was given the key of the bottomless pit." It could not be meant that a key would be given to a literal star, and we naturally suppose, therefore, that some intelligent being of exalted rank, and of baleful influence, is here referred to Angels, good and bad, are often called stars; but the reference here, as in Revelation 8:10, seems to me not to be to angels, but to some mighty leader of armies, who was to collect his hosts, and to go through the world in the work of destruction.

And to him was given the key of the bottomless pit - Of the under-world, considered particularly of the abode of the wicked. This is represented often as a dark prison-house, enclosed with walls, and accessible by gates or doors. These gates or doors are fastened, so that none of the inmates can come out, and the key is in the hand of the keeper or guardian. In Revelation 1:18 it is said that the keys of that world are in the hand of the Saviour (compare the notes on that passage); here it is said that for a time, and for a temporary purpose, they are committed to another. The word "pit" - φρέαρ phrear - denotes properly a well, or a pit for water dug in the earth; and then any pit, cave, abyss. The reference here is doubtless to the nether world, considered as the abode of the wicked dead, the prison-house of the guilty. The word "bottomless," ἀβύσσος abussos - whence our word "abyss" means properly "without any bottom" (from Α a, the alpha privative (not), and βύθος buthos, depth, bottom). It would be applied properly to the ocean, or to any deep and dark dell, or to any obscure place whose depth was unknown. Here it refers to Hades - the region of the dead the abode of wicked spirits - as a deep, dark place, whose bottom was unknown. Having the key to this, is to have the power to confine those who are there, or to permit them to go at large. The meaning here is, that this master-spirit would have power to evoke the dead from these dark regions; and it would be fulfilled if some mighty genius, that could be compared with a fallen star, or a lurid meteor, should summon forth followers which would appear like the dwellers in the nether world called forth to spread desolation over the earth.

Revelation 9:2
And he opened the bottomless pit; and there arose a smoke out of the pit, as the smoke of a great furnace; and the sun and the air were darkened by reason of the smoke of the pit.
And he opened the bottomless pit - It is represented before as wholly confined, so that not even the smoke or vapor could escape.

And there arose a smoke out of the pit - Compare Revelation 14:11. The meaning here is that the pit, as a place of punishment, or as the abode of the wicked, was filled with burning sulphur, and consequently that it emitted smoke and vapor as soon as opened. The common image of the place of punishment, in the Scriptures, is that of a "lake that burns with fire and brimstone." Compare Revelation 14:10; Revelation 19:20; Revelation 20:10; Revelation 21:8. See also Psalm 11:6; Isaiah 30:33; Ezekiel 38:22. It is not improbable that this image was taken from the destruction of Sodom and Gomorrah, Genesis 19:24. Such burning sulphur would produce, of course, a dense smoke or vapor; and the idea here is, that the pit had been closed, and that as soon as the door was opened a dense column escaped that darkened the heavens. The purpose of this is, probably, to indicate the origin of the plague that was about to come upon the world. It would be of such a character that it would appear as if it had been emitted from hell; as if the inmates of that dark world had broke loose upon the earth. Compare notes on Revelation 6:8.

As the smoke of a great furnace - So in Genesis 19:28, whence probably this image is taken: "And he looked toward Sodom and Gomorrah, and all the land of the plain, and beheld and lo, the smoke of the country went up as the smoke of a furnace."

And the sun and the air were darkened, ... - As will be the case when a smoke ascends from a furnace. The meaning here is, that an effect would be produced as if a dense and dark vapor should ascend from the under-world. We are not, of course, to understand this literally.

Revelation 9:3
And there came out of the smoke locusts upon the earth: and unto them was given power, as the scorpions of the earth have power.
And there came out of the smoke locusts upon the earth - That is, they escaped from the pit with the smoke. At first they were mingled with the smoke, so that they were not distinctly seen, but when the smoke cleared away they appeared in great numbers. The idea seems to be, that the bottomless pit was filled with vapor and with those creatures, and that as soon as the gate was opened the whole contents expanded and burst forth upon the earth. The sun was immediately darkened, and the air was full, but the smoke soon cleared away, so that the locusts became distinctly visible. The appearance of these locusts is described in another part of the chapter, Revelation 9:7 ff. The locust is a voracious insect belonging to the grasshopper or grylli genus, and is a great scourge in Oriental countries. A full description of the locust may be seen in Robinson's Calmet, and in Kitto's Encyclo. vol. ii. pp. 258ff. There are ten Hebrew words to denote the locust, and there are numerous references to the destructive habits of the insect in the Scriptures. In fact, from their numbers and their destructive habits, there was scarcely any other plague that was so much dreaded in the East. Considered as a symbol, or emblem, the following remarks may be made in explanation:

(1) The symbol is Oriental, and would most naturally refer to something that was to occur in the East. As locusts have appeared chiefly in the East, and as they are in a great measure an Oriental plague, the mention of this symbol would most naturally turn the thoughts to that portion of the earth. The symbols of the first four trumpets had no special locality, and would suggest no particular part of the world; but on the mention of this, the mind would be naturally turned to the East, and we should expect to find that the scene of this woe would be located in the regions where the ravages of locusts most abounded. Compare, on this point, Elliott, Horae Apoc. i. 394-406. He has made it probable that the prophets, when they used symbolical language to denote any events, commonly, at least, employed those which had a local or geographical reference; thus, in the symbols derived from the vegetable kingdom, when Judah is to be symbolized, the olive, the vine, and the fig-tree are selected; when Egypt is referred to, the reed is chosen; when Babylon, the willow. And so, in the animal kingdom, the lion is the symbol of Judah; the wild ass, of the Arabs; the crocodile, of Egypt, etc. Whether this theory could be wholly carried out or not, no one can doubt that the symbol of locusts would most naturally suggest the Oriental world, and that the natural interpretation of the passage would lead us to expect its fulfillment there.

(2) locusts were remarkable for their numbers - so great often as to appear like clouds, and to darken the sky. In this respect they would naturally be symbolical of numerous armies or hosts of men. This natural symbol of numerous armies is often employed by the prophets. Thus, in Jeremiah 46:23;

"Cut down her forests (i. e. her people, or cities), saith Jehovah,

That it may not be found on searching;

Although they surpass the locusts in multitude,

And they are without number."

So in Nahum 3:15;

"There shall the fire devour thee;

The sword shall cut thee off; it shall devour thee as the locust,

Increase thyself as the numerous locusts."

So also in Nahum 3:17;

"Thy crowned princes are as the numerous locusts,

And thy captains as the grasshoppers;

Which encamp in the fences in the cold day,

But when the sun ariseth they depart,

And their place is not known where they were."

See also Deuteronomy 28:38, Deuteronomy 28:42; Psalm 78:46; Amos 7:1. Compare Judges 6:3-6; Judges 7:12; and Joel 1:2.

(3) locusts are an emblem of desolation or destruction. No symbol of desolation could be more appropriate or striking than this, for one of the most remarkable properties of locusts is, that they devour every green thing and leave a land perfectly waste. They do this even when what they destroy is not necessary for their own sustenance. "Locusts seem to devour not so much from a ravenous appetite as from a rage for destroying. Destruction, therefore, and not food, is the chief impulse of their devastations, and in this consists their utility; they are, in fact, omnivorous. The most poisonous plants are indifferent to them; they will prey even upon the crowfoot, whose causticity burns even the hides of beasts. They simply consume everything, without predilection - vegetable matter, linens, woolens, silk, leather, etc.; and Pliny does not exaggerate when he says, fores quoque tectorum - 'even the doors of houses' - for they have been known to consume the very varnish of furniture. They reduce everything indiscriminately to shreds, which become manure" (Kitto's Encyclopedia ii. 263). Locusts become, therefore, a most striking symbol of an all-devouring army, and as such are often referred to in Scripture. So also in Josephus, de Bello Jude book v. ch. vii.: "As after locusts we see the woods stripped of their leaves, so, in the rear of Simon's army, nothing but devastation remained." The natural application of this symbol, then, is to a numerous and destructive army, or to a great multitude of people committing ravages, and sweeping off everything in their march.

And unto them was given power - This was something that was imparted to them beyond their ordinary nature. The locust in itself is not strong, and is not a symbol of strength. Though destructive in the extreme, yet neither as individuals, nor as combined, are they distinguished for strength. Hence, it is mentioned as a remarkable circumstance that they had such power conferred on them.

As the scorpions of the earth have power - The phrase "the earth" seems to have been introduced here because these creatures are said to have come up from "the bottomless pit," and it was natural to compare them with some well-known objects found on the earth. The scorpion is an animal with eight feet, eight eyes, and a long, jointed tail, ending in a pointed weapon or sting. It is the largest and the most malignant of all the insect tribes. It somewhat resembles the lobster in its general appearance, but is much more hideous. See the notes on Luke 10:19. Those found in Europe seldom exceed four inches in length, but in tropical climates, where they abound, they are often found twelve inches long. There are few animals more formidable, and none more irascible, than the scorpion. Goldsmith states that Maupertuis put about a hundred of them together in the same glass, and that as soon as they came into contact they began to exert all their rage in mutual destruction, so that in a few days there remained but fourteen, which had killed and devoured all the rest.

The sting of the scorpion, Dr. Shaw states, is not always fatal; the malignity of their venom being in proportion to their size and complexion. The torment of a scorpion, when he strikes a man, is thus described by Dioscorides, lib. 7:cap. 7, as cited by Mr. Taylor: "When the scorpion has stung, the place becomes inflamed and hardened; it reddens by tension, and is painful by intervals, being now chilly, now burning. The pain soon rises high, and rages, sometimes more, sometimes less. A sweating succeeds, attended by a shivering and trembling; the extremities of the body become cold, the groin swells, the hair stands on end, the members become pale, and the skin feels throughout the sensation of a perpetual pricking, as if by needles" (Fragments to Calmet's Dic. vol. iv. p. 376, 377). "The tail of the scorpion is long, and formed after the manner of a string of beads, the last larger than the others, and longer; at the end of which are, sometimes, two stings which are hollow, and filled with a cold poison, which it ejects into the part which it stings" (Calmet's Dic.). The sting of the scorpion, therefore, becomes the emblem of what causes acute and dangerous suffering. On this comparison with scorpions see the remark of Niebuhr, quoted in the notes on Revelation 9:7.

Revelation 9:4
And it was commanded them that they should not hurt the grass of the earth, neither any green thing, neither any tree; but only those men which have not the seal of God in their foreheads.
And it was commanded them - The writer does not say by whom this command was given, but it is clearly by someone who had the direction of them. As they were evoked from the "bottomless pit" by one who had the key to that dark abode, and as they are represented in Revelation 9:11 as under the command of one who is there called Abaddon, or Apollyon - the Destroyer - it would seem most probable that the command referred to is one that is given by him; that is, that this expresses one of the principles on which he would act in his devastations. At all events, this denotes what would be one of the characteristics of these destroyers. Their purpose would be to vex and trouble people; not to spread desolation over vineyards, olive-yards, and fields of grain.

That they should not hurt the grass of the earth, ... - See the notes on Revelation 8:7. The meaning here is plain. There would be some sense in which these invaders would be characterized in a manner that was not common among invaders, to wit, that they would show particular care not to carry their devastations into the vegetable world. Their warfare would be with people, and not with orchards and green fields.

But only those men which have not the seal of God in their foreheads - See the notes on Revelation 7:2-3. They commenced war against that part of the human race only. The language here properly denotes those who were not the friends of God. It may here refer, however, either to those who in reality were not such, or to those who were regarded by him who gave this command as not being such. In the former case, the commission would have respect to real infidels in the sight of God - that is, to those who rejected the true religion; in the latter it would express the sentiment of the leader of this host, as referring to those who in his apprehension were infidels or enemies of God. The true interpretation must depend on the sense in which we understand the phrase "it was commanded"; whether as referring to God, or to the leader of the host himself. The language, therefore, is ambiguous, and the meaning must be determined by the other parts of the passage. Either method of understanding the passage would be in accordance with its fair interpretation.

Revelation 9:5
And to them it was given that they should not kill them, but that they should be tormented five months: and their torment was as the torment of a scorpion, when he striketh a man.
And to them it was given - There is here the same indefiniteness as in the former verse, the impersonal verb being here also used. The writer does not say by whom this power was given, whether by God, or by the leader of the host. It may be admitted, however, that the most natural interpretation is to suppose that it was given them by God, and that this was the execution of his purpose in this case. Still it is remarkable that this is not directly affirmed, and that the language is so general as to admit of the other application. The fact that they did not kill them, but tormented them - if such a fact should be found to exist - would be in every sense a fulfillment of what is here said.

That they should not kill them - This is in accordance with the nature of the symbol. The locusts do not themselves destroy any living creature; and the sting of the scorpion, though exceedingly painful, is not usually fatal. The proper fulfillment of this would be found in what would not be generally fatal, but which would diffuse misery and wretchedness. (Compare Revelation 9:6.) Perhaps all that would be necessarily meant by this would be, not that individual people would not be killed, but that they would be sent to inflict plagues and torments rather than to take life, and that the characteristic effects of their appearing would be distress and suffering rather than death. There may be included in the fair interpretation of the words, "general distress" and "sorrow"; acts of oppression, cruelty, and violence; such a condition of public suffering that people would regard death as a relief if they could find it.

But that they should be tormented - That is, that they should be subjected to ills and troubles which might be properly compared with the sting of a scorpion.

Five months - So far as the words here are concerned this might be taken literally, denoting five months or one hundred and fifty days; or as a prophetic reckoning, where a day stands for a year. Compare the notes on Daniel 9:24 ff. The latter is undoubtedly the correct interpretation here, for it is the character of the book thus to reckon time. See the notes on Revelation 9:15. If this be the true method of reckoning here, then it will be necessary to find some events which will embrace about the period of one hundred and fifty years, during which this distress and sorrow would continue. The proper laws of interpretation demand that one or the other of these periods should be found - either that of five months literally, or that of 150 years. It may be true, as Prof. Stuart suggests (in loco), that "the usual time of locusts is from May to September inclusive - five months." It may be true, also, that this symbol was chosen partly because that was the fact, and they would, from that fact, be well adapted to symbolize a period that could be spoken of as "five months"; but still the meaning must be more than simply it was "a short period," as he supposes. The phrase a few months might designate such a period; but if that had been the writer's intention, he would not have selected the definite number five.

And their torment was as the torment of a scorpion, ... - See the notes on Revelation 9:3. That is, it would be painful, severe, dangerous.

Revelation 9:6
And in those days shall men seek death, and shall not find it; and shall desire to die, and death shall flee from them.
And in those days shall men seek death ... - See the notes on Revelation 9:5. It is very easy to conceive of such a state of things as is here described, and, indeed, this has not been very uncommon in the world. It is a state where the distress is so great that people would consider death a relief, and where they anxiously look to the time when they may be released from their sufferings by death. In the case before us it is not intimated that they would lay violent hands on themselves, or that they would take any positive measures to end their sufferings; and this, perhaps, may be a circumstance of some importance to show that the persons referred to were servants of God. When it is said that "they would seek death," it can only be meant that they would look out for it - or desire it - as the end of their sorrows. This is descriptive, as we shall see, of a particular period of the world; but the language is beautifully applicable to what occurs in all ages and in all lands.

There is always a great number of sufferers who are looking forward to death as a relief. In cells and dungeons; on beds of pain and languishing; in scenes of poverty and want; in blighted hopes and disappointed affections, how many are there who would be glad to die, and who have no hope of an end of suffering but in the grave! A few, by the pistol, by the halter, by poison, or by drowning, seek thus to end their woes. A large part look forward to death as a release, when, if the reality were known, death would furnish no such relief, for there are deeper and longer woes beyond the grave than there are this side of it. Compare the notes on Job 3:20-22. But to a portion death will be a relief. It will be an end of sufferings. They will find peace in the grave, and are assured they shall suffer no more. Such bear their trials with patience, for the end of all sorrow to them is near, and death will come to release their spirits from the suffering clay, and to bear them in triumph to a world where a pang shall never be felt, and a tear never shed.

Revelation 9:7
And the shapes of the locusts were like unto horses prepared unto battle; and on their heads were as it were crowns like gold, and their faces were as the faces of men.
And the shapes of the locusts were like unto horses prepared for battle - The resemblance between the locust and the horse, dissimilar as they are in most respects, has been often remarked. Dr. Robinson (Bib. Research. i. 59) says: "We found today upon the shrubs an insect, either a species of black locust, or much resembling them, which our Bedouin called Farras el Jundy, 'soldiers' horses.' They said these insects were common on Mount Sinai, of a green color, and were found on dead trees, but did them no injury." The editor of the Pictorial Bible makes the following remarks: - "The first time we saw locusts browsing with their wings closed, the idea of comparing them to horses arose spontaneously to our minds - as we had not previously met with such a comparison, and did not at that time advert to the present text Joel 2:4. The resemblance in the head first struck our attention; and this notion having once arisen, other analogies were found or imagined in its general appearance and action in feeding. We have since found the observation very common. The Italians, indeed, from this resemblance, called the locust cavaletta, or little horse. Sir W. Ouseley reports: 'Zakaria Cazvine divides the locusts into two classes, like horsemen and footmen - mounted and pedestrian.' Niebuhr says that he heard from a Bedouin, near Bussorah, a particular comparison of the locust to other animals; but as this passage of Scripture did not occur to him at the time he thought it a mere fancy of the Arab's, until he heard it repeated at Baghdad. He compared the head of the locust to that of the horse; the feet to those of the camel; the belly with that of a serpent; the tail with that of a scorpion; and the feelers (if Niebuhr remembered rightly) to the hair of a virgin" (Pict. Bib. on Joel 2:4). The resemblance to horses would naturally suggest the idea of cavalry, as being referred to by the symbol.

And on their heads were as it were crowns like gold - The writer does not say either that these were literally crowns, or that they were actually made of gold. They were "as it were" (ὡς hōs) "crowns," and they were like (ὅμοιοι homoioi) "gold." That is, as seen by him, they had a resemblance to crowns or diadems, and they also resembled gold in their color and brilliancy. The word "crown" - στέφανος stephanos - means properly a circlet, chaplet, encircling the head:

(a) as an emblem of royal dignity, and as worn by kings;

(b) as conferred on victors in the public games - a chaplet, a wreath;

(c) as an ornament, honor, or glory, Philippians 4:1.

No particular shape is designated by the word στέφανος stephanos and perhaps the word "crown" does not quite express the meaning. The word "diadem" would come nearer to it. The true notion in the word is that of something that is passed around the head, and that encircles it, and as such it would well describe the appearance of a turban as seen at a distance. On the supposition that the symbolic beings here referred to had turbans on their heads, and on the supposition that something was referred to which was not much worn in the time of John, and, therefore, that had no name, the word στέφανος stephanos, or diadem, would be likely to be used in describing it. This, too, would accord with the use of the phrase "as it were" - ὡς hōs. The writer saw such head-ornaments as he was accustomed to see. They Were not exactly crowns or diadems, but they had a resemblance to them, and he therefore uses this language: "and on their heads were as it were crowns." Suppose that these were turbans, and that they were not in common use in the time of John, and that they had, therefore, no name, would not this be the exact language which he would use in describing them? The same remarks may be made respecting the other expression.

Like gold - They were not pure gold, but they had a resemblance to it. Would not a yellow turban correspond with all that is said in this description?

And their faces were as the faces of men - They had a human countenance. This would indicate that, after all, they were human beings that the symbol described, though they had come up from the bottomless pit. Horsemen, in strange apparel, with a strange head-dress, would be all that would be properly denoted by this.

Revelation 9:8
And they had hair as the hair of women, and their teeth were as the teeth of lions.
And they had hair as the hair of women - Long hair; not such as men commonly wear, but such as women wear. See the notes on 1 Corinthians 11:14. This struck John as a peculiarity, that, though warriors, they should have the appearance of effeminacy indicated by allowing their hair to grow long. It is clear from this, that John regarded their appearance as unusual and remarkable. Though manifestly designed to represent an army, yet it was not the usual appearance of men who went forth to battle. Among the Greeks of ancient times, indeed, long hair was not uncommon (see the notes above referred to on 1 Corinthians 11:14), but this was by no means the usual custom among the ancients; and the fact that these warriors had long hair like women was a circumstance that would distinguish them particularly from others. On this comparison of the appearance of the locusts with the hair of women see the remarks of Niebuhr, in the notes on Revelation 9:7.

And their teeth were as the teeth of lions - Strong; suited to devour. The teeth of the locust are by no means prominent, though they are strong, for they readily cut down and eat up all vegetable substances that come in their way. But it is evident that John means to say that there was much that was unusual and remarkable in the teeth of these locusts. They would be ravenous and fierce, and would spread terror and desolation like the lions of the desert.

Revelation 9:9
And they had breastplates, as it were breastplates of iron; and the sound of their wings was as the sound of chariots of many horses running to battle.
And they had breastplates, as it were breastplates of iron - Hard, horny, impenetrable, as if they were made of iron. The locust has a firm and hard cuticle on the forepart of the breast, which serves for a shield or defense while it moves in the thorny and furzy vegetation. On those which John saw this was especially hard and horny, and would thus be well adapted to be an emblem of the breastplates of iron commonly worn by ancient warriors. The meaning is, that the warriors referred to would be well clad with defensive armor.

And the sound of their wings was as the sound of chariots of many horses running to battle - The noise made by locusts is often spoken of by travelers, and the comparison of that noise with that of chariots rushing to battle, is not only appropriate, but also indicates clearly what was symbolized. It was an army that was symbolized, and everything about them served to represent hosts of men well armed, rushing to conflict. The same thing here referred to is noticed by Joel Joe 2:4-5, Joel 2:7;

"The appearance of them is as the appearance of horses;

And as horsemen so shall they run.

Like the noise of chariots on the tops of mountains, shall they leap;

Like the noise of a flame of fire that devoureth the stubble;

As a strong people set in battle array.

They shall run like mighty men;

They shall climb the wall like men of war;

And they shall march every one his ways,

And shall not break their ranks," etc.

It is remarkable that Volney, who had no intention of illustrating the truth of Scripture, has given a description of locusts, as if he meant to confirm the truth of what is here said. "Syria," says he, "as well as Egypt, Persia, and almost all the south of Asia, is subject to another calamity no less dreadful (than earthquakes); I mean those clouds of locusts so often mentioned by travelers. The quantity of these insects is incredible to all who have not themselves witnessed their astounding numbers; the whole earth is covered with them for the space of several leagues. The noise they make in browsing on the trees and herbage may be heard to a great distance, and resembles that of an army foraging in secret" (Travels in Egypt and Syria, vol. i. pp. 283, 284).

Revelation 9:10
And they had tails like unto scorpions, and there were stings in their tails: and their power was to hurt men five months.
And they had tails like unto scorpions - The fancy of an Arab now often discerns a resemblance between the tail of the locust and the scorpion. See the remark of Niebuhr, quoted in the notes on Revelation 9:7.

And there were stings in their tails - Like the stings of scorpions. See the notes on Revelation 9:3. This made the locusts which appeared to John the more remarkable, for though the fancy may imagine a resemblance between the tail of a locust and a scorpion, yet the locusts have properly no sting. The only thing which they have resembling a sting is a hard bony subsubstance like a needle, with which the female punctures the bark and wood of trees in order to deposit her eggs. It has, however, no adaptation, like a sting, for conveying poison into a wound. These, however, appeared to be armed with stings properly so called.

And their power was to hurt men - Not primarily to kill people, but to inflict on them various kinds of tortures. See the notes on Revelation 9:5. The word used here - ἀδικῆσαι adikēsai, rendered "to hurt" - is different from the word in Revelation 9:5 - βασανισθῶσιν basanisthōsin, rendered "should be tormented." This word properly means "to do wrong, to do unjustly, to injure, to hurt"; and the two words would seem to convey the idea that they would produce distress by doing wrong to others, or by deeding unjustly with them. It does not appear that the wrong would be by inflicting bodily torments, but would be characterized by that injustice toward others which produces distress and anguish.

Five months - See the notes on Revelation 9:5; (also Editor's Preface).

Revelation 9:11
And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon.
And they had a king over them - A ruler who marshalled their hosts. Locusts often, and indeed generally, move in bands, though they do not appear to be under the direction of anyone as a particular ruler or guide. In this case it struck John as a remarkable peculiarity that they had a king - a king who, it would seem, had the absolute control, and to whom was to be traced all the destruction which would ensue from their emerging from the bottomless pit.

Which is the angel of the bottomless pit - See the notes on Revelation 9:1. The word "angel" here would seem to refer to the chief of the evil angels, who presided over the dark and gloomy regions from whence the locusts seemed to emerge. This may either mean that this evil angel seemed to command them personally, or that his spirit was infused into the leader of these hosts.

Whose name in the Hebrew tongue is Abaddon - The name Abaddon means literally "destruction," and is the same as Apollyon.

But in the Greek tongue hath his name Apollyon - From ἀπόλλυμι apollumi - "to destroy." The word properly denotes "a destroyer," and the name is given to this king of the hosts, represented by the locusts, because this would be his principal characteristic.

After this minute explanation of the literal meaning of the symbol, it may be useful, before attempting to apply it, and to ascertain the events designed to be represented, to have a distinct impression of the principal image - the locust. It is evident that this is, in many respects, a creature of the imagination, and that we are not to expect the exact representation to be found in any forms of actual existence in the animal creation. The following engraving, prepared by Mr. Elliott (vol. i. p. 410), will give a sufficiently accurate representation of this symbolical figure as it appeared to John.

The question now is, whether any events occurred in history, subsequent to and succeeding those supposed to be referred to in the fourth trumpet, to which this symbol would be applicable. Reasons have already been suggested for supposing that there was a transfer of the seat of the operations to another part of the world. The first four trumpets referred to a continual series of events of the same general character, and having a proper close. These have been explained as referring to the successive shocks which terminated in the downfall of the Western empire. At the close of that series there is a pause in the representation Revelation 8:13, and a solemn proclamation that other scenes were to open distinguished for woe. These were to be symbolized in the sounding of the remaining three trumpets, embracing the whole period until the consummation of all things - or sketching great and momentous events in the future, until the volume sealed with the seven seals Revelation 5:1 should have been wholly unrolled and its contents disclosed. The whole scene now is changed. Rome has fallen. It has passed into the hands of strangers. The power that had spread itself over the world has, in that form, come to an end, and is to exist no more - though, as we shall see (Revelation 11ff), another power, quite as formidable, existing there, is to be described by a new set of symbols. But here Revelation 9 a new power appears. The scenery is all Oriental, and clearly has reference to events that were to spring up in the East. With surprising unanimity, commentators have agreed in regarding this as referring to the empire of the Saracens, or to the rise and progress of the religion and the empire set up by Muhammed. The inquiry now is, whether the circumstances introduced into the symbol find a proper fulfillment in the rise of the Saracenic power, and in the conquests of the Prophet of Mecca:

(1) "The country where the scene is laid." As already remarked the scene is Oriental - for the mention of locusts naturally suggests the East - that being the part of the world where they abound, and they being in fact especially an Oriental plague. It may now be added, that in a more strict and proper sense Arabia may be intended; that is, if it be admitted that the design was to symbolize events pertaining to Arabia, or the gathering of the hosts of Arabia for conquest, the symbol of locusts would have been employed for the locust, the groundwork of the symbol is especially Arabic. It was the east wind which brought the locusts on Egypt Exodus 10:13, and they must therefore have come from some portion of Arabia - for Arabia is the land that lies over against Egypt in the east. Such, too, is the testimony of Volney; "the most judicious," as Mr. Gibbon calls him, "of modern travelers." "The inhabitants of Syria," says he, "have remarked that locusts come constantly from the desert of Arabia," ch. 20:sect. 5.

All that is necessary to say further on this point is, that on the supposition that it was the design of the Spirit of inspiration in the passage before us to refer to the followers of Muhammed, the image of the locusts was that which would be naturally selected. There was no other one so appropriate and so striking; no one that would so naturally designate the country of Arabia. As some confirmation of this, or as showing how natural the symbol would be, a remark may be introduced from Mr. Forster. In his Mohammedanism Unveiled, vol. i. p. 217, he says, "In the Bedoween romance of Antar, the locust is introduced as the national emblem of the Ishmaelites. And it is a remarkable coincidence that Muslim tradition speaks of locusts having dropped into the hands of Muhammed, bearing on their wings this inscription - 'We are the army of the Great God.'" These circumstances will show the propriety of the symbol on the supposition that it refers to Arabia and the Saracens.

(2) the people. The question is, whether there was anything in the symbol, as described by John, which would properly designate the followers of Muhammed, on the supposition that it was designed to have such a reference:

(a) As to numbers. "They (the Midianite Arabs) came as locusts for multitude," John 6:5. See the notes on Revelation 9:3. Nothing would better represent the numbers of the Saracenic hordes that came out of Arabia, and that spread over the East - over Egypt, Libya, Mauritania, Spain, and that threatened to spread over Europe - than such an army of locusts. "One hundred years after his flight (Muhammed) from Mecca," says Mr. Gibbon, "the arms and the reign of his successors extended from India to the Atlantic Ocean, over the various and distant provinces which may be comprised under the names of Persia, Syria, Egypt, Africa, and Spain," vol. iii. p. 410. "At the end of the first century of the Hegira the caliphs were the most potent and absolute monarchs on the globe. Under the last of the Ommiades the Arabian empire extended two hundred days' journey from east to west, from the confines of Tartary and India to the shores of the Atlantic Ocean" (ibid. p. 460). In regard to the immense hosts employed in these conquests, an idea may be formed by a perusal of the whole fifty-first chapter in Gibbon (vol. iii. pp. 408-461). Those hosts issued primarily from Arabia, and in their numbers would be well compared with the swarms of locusts that issued from the same country, so numerous as to darken the sky.

(b) The description of the people.

"Their faces were as the faces of men" This would seem to be in contrast with other people, or to denote something that was unique in the appearance of the persons represented. In other words, the meaning would seem to be, that there was something manly and warlike in their appearance, so far as their faces were concerned. It is remarkable that the appearance of the Goths (represented, as I suppose, under the previous trumpets) is described by Jerome (compare on Isaiah 8) as quite the reverse. They are described as having faces shaven and smooth; faces, in contrast with the bearded Romans, like women's faces. Is it fancy to suppose that the reference here is to the beard and moustache of the Arabic hosts? We know with what care they regarded the beard; and if a representation was made of them, especially in contrast with nations that shaved their faces, and who thus resembled women, it would be natural to speak of those represented in the symbol as "having faces as the faces of men."

"They had hair as the hair of women" A strange mingling of the appearance of effeminacy with the indication of manliness and courage. See the notes on Revelation 9:8. And yet this strictly accords with the appearance of the Arabs or Saracens. Pliny, the contemporary of John, speaks of the Arabs then as having the hair long and uncut, with the moustache on the upper lip, or the beard: Arabes mitrati sunt, aut intoso crine. Barba abraditur, praeterquam in superiore labro. Aliis et haec intonsa (Nat. Hist. vol. 6, p. 28). So Solinus describes them in the third century (Plurimis crinis intonsus, mitrata capita, pars rasa in cutem barba, 100:53); so Ammianus Marcellinus, in the fourth century (Crinitus quidam a Saracenorum cuneo, vol. xxxi. p. 16); and so Claudian, Theodore of Mopsuesta, and Jerome, in the fifth. Jerome lived about two centuries before the great Saracen invasion; and as he lived at Bethlehem, on the borders of Arabia, he must have been familiar with the appearance of the Arabs. Still later, in that most characteristic of Arab poems, Antar, a poem written in the time of Muhammed's childhood, we find the moustache, and the beard, and the long flowing hair on the shoulder, and the turban, all specified as characteristic of the Arabians: "He adjusted himself properly, twisted his whiskers, and folded up his hair under his turban, drawing it from off his shoulders," vol. i. p. 340. "His hair flowed down on his shoulders," vol. i. p. 169. "Antar cut off Maudi's hair in revenge and insult," vol. iii. p. 117. "We will hang him up by his hair," vol. iv. p. 325. See Elliott, vol. i. pp. 411, 412. Compare Newton on the Prophecies, p. 485.

"And on their heads were as it were crowns of gold" See the notes on Revelation 9:7. That is, diadems, or something that appeared like crowns, or chaplets. This will agree well with the turban worn by the Arabs or Saracens, and which was quite characteristic of them in the early periods when they became known. So in the passage already quoted, Pliny speaks of them as Arabes mitrati; so Solinus, mitrata capita; so in the poem of Antar, "he folded up his hair under his turbans." It is remarkable also that Ezekiel EZechariah 23:42 describes the turbans of the Sabean or Keturite Arabs under the very appellation used here by John: "Sabeans from the wilderness, which put beautiful crowns upon their heads." So in the preface to Antar, it is said, "It was a usual saying among them, that God had bestowed four special things on the Arabs; that their turbans should be unto them instead of diadems, their tents instead of walls and houses, their swords instead of intrenchments, and their poems instead of written laws." Mr. Forster, in his Mohammedanism Unveiled, quotes as a precept of Muhammed; "Make a point of wearing turbans, because it is the way of angels." Turbans might then with propriety be represented as crowns, and no doubt these were often so gilded and ornamented that they might be spoken of as "crowns of gold."

"They had breastplates, as it were breastplates of iron" See the notes on Revelation 9:9. As a symbol, this would be properly descriptive of the Arabians or Saracens. In the poem Antar the steel and iron cuirasses of the Arab warriors are frequently noticed: "A warrior immersed in steel armor," vol. ii. p. 203. "Fifteen thousand men armed with cuirasses, and well accoutred for war," vol. ii. p. 42. "They were clothed in iron armor, and brilliant cuirasses," vol. i. p. 23. "Out of the dust appeared horsemen clad in iron," vol. iii. p. 274. The same thing occurs in the Koran: "God hath given you coats of mail to defend you in your wars," vol. ii. p. 104. In the history of Muhammed we read expressly of the cuirasses of himself and of his Arab troops. Seven cuirasses are noted in the list of Muhammed's private armory (Gagnier, vol. iii. p. 328-334). In his second battle with the Koreish, seven hundred of his little army are spoken of by Mr. Gibbon as armed with cuirasses. See Elliott, vol. i. p. 413. These illustrations will show with what propriety the locusts in the symbol were represented as having breastplates like breastplates of iron. On the supposition that this referred to the Arabs and the Saracens this would have been the very symbol which would have been used. Indeed, all the features in the symbol are precisely such as would properly be employed on the supposition that the reference was to them. It is true that beforehand it might not have been practicable to describe exactly what people were referred to, but:

(a) it would be easy to see that some fearful calamity was to be anticipated from the ravages of hosts of fearful invaders; and,

(b) when the events occurred, there would be no difficulty in determining to whom this application should be made.

(3) "the time when this would occur." As to this there can be no difficulty in the application to the Saracens. On the supposition that the four first trumpets refer to the downfall of the Western empire, then the proper time supposed to be represented by this symbol is subsequent to that; and yet the manner in which the last three trumpets are introduced Revelation 8:13 shows that there would be an interval between the sounding of the last of the four trumpets and the sounding of the fifth. The events referred to, as I have supposed, as represented by the fourth trumpet, occurred in the close of the fifth century (476-490 a.d.). The principal events in the seventh century were connected with the invasions and conquests of the Saracens. The interval of a century is not more than the fair interpretation of the proclamation in Revelation 8:13 would justify.

(4) "the commission given to the symbolical locusts." This embraces the following things:

(a) They were not to hurt the grass of the earth, nor any green thing;

(b) they were especially to go against those who had not the seal of God in their foreheads;

(c) they were not to kill them, but were to torment them.

"They were not to hurt the grass of the earth, ..." see the notes at Revelation 9:4. This agrees remarkably with an express command in the Koran. The often-quoted order of the Caliph Aboubekir, the father-in-law and successor of Muhammed, issued to the Saracen hordes on their invasion of Syria, shows what was understood to be the spirit of their religion: "Remember that you are always in the presence of God, on the verge of death, in the assurance of judgment, and the hope of paradise. Avoid injustice and oppression; consult with your brethren, and study to preserve the love and confidence of your troops. When you fight the battles of the Lord, acquit yourselves like men, without turning your backs; but let not the victory be stained with the blood of women or children. Destroy no palm-trees, nor burn any fields of grain. Cut down no fruit-trees, nor do any mischief to cattle, only such as you kill to eat. When you make any covenant or article, stand to it, and be as good as your word. As you go on, you will find some religious persons who live retired in monasteries, and propose to themselves to serve God in that way; let them alone, and neither kill them ('and to them it was given that they should not kill them,' ver 5), nor destroy their monasteries," etc. (Gibbon, iii. 417, 418).

So Mr. Gibbon notices this precept of the Koran: "In the siege of Tayaf," says he, "sixty miles from Mecca, Muhammed violated his own laws by the extirpation of the fruit-trees," ii. 392. The same order existed among the Hebrews, and it is not improbable that Muhammed derived his precept from the command of Moses Deuteronomy 20:19, though what was mercy among the Hebrews was probably mere policy with him. This precept is the more remarkable because it has been the usual custom in war, and particularly among barbarians and semi-barbarians, to destroy grain and fruit, and especially to cut down fruit-trees, in order to do greater injury to an enemy. Thus, we have seen (notes on Revelation 8:7), that in the invasion of the Goths their course was marked by desolations of this kind. Thus, in more modern times, it has been common to carry the desolations of war into gardens, orchards, and vineyards. In the single province of Upper Messenia the troops of Muhammed Ali, in the war with Greece, cut down half a million of olive-trees, and thus stripped the country of its means of wealth. So Scio was a beautiful spot, the seat of delightful villas, and gardens, and orchards; and in one day all this beauty was destroyed. On the supposition, therefore, that this prediction had reference to the Saracens, nothing could be more appropriate. Indeed, in all the history of barbarous and savage warfare it would be difficult to find another distinct command that no injury should be done to gardens and orchards.

(d) Their commission was expressly against "those men who had not the seal of God in their foreheads." See the notes on Revelation 9:4. That is, they were to go either against those who were not really the friends of God, or those who in their estimation were not. Perhaps, if there were nothing in the connection to demand a different interpretation, the former would be the most natural explanation of the passage; but the language way be understood as referring to the purpose which they considered themselves as called upon to execute: that is, that they were to go against those whom they regarded as being strangers to the true God, to wit, idolaters. Now it is well known that Muhammed considered himself called upon, principally, to make war with idolaters, and that he went forth, professedly, to bring them into subjection to the service of the true God. "The means of persuasion," says Mr. Gibbon, "had been tried, the season of forbearance was elapsed, and he was now commanded to propagate his religion by the sword, to destroy the monuments of idolatry, and, without regarding the sanctity of days or months, to pursue the unbelieving nations of the earth," iii. 387. "The fair option of friendship, or submission, or battle, was proposed to the enemies of Muhammed" (ibid.). "The sword," says Muhammed, "is the key of heaven and hell; a drop of blood shed in the cause of God, a night spent in arms, is of more avail than two months of fasting and prayer: whosoever falls in battle, his sins are forgiven; at the day of judgment his wounds shall be resplendent as vermilion, and odoriferous as musk; and the loss of his limbs shall be supplied by the wings of angels and cherubim" (Gibbon, iii. 387) The first conflicts waged by Muhammed were against the idolaters of his own country - those who can, on no supposition, be regarded as "having the seal of God in their foreheads"; his subsequent wars were against infidels of all classes; that is, against those whom he regarded as not having the "seal of God in their foreheads," or as being the enemies of God.

(e) The other part of the commission was "not to kill, but to torment them." See the notes at Revelation 9:5. Compare the quotation from the command of Aboubekir, as quoted above: "Let not the victory be stained with the blood of women and children." "Let them alone, and neither kill them nor destroy their monasteries." The meaning of this, if understood as applied to their commission against Christendom, would seem to be, that they were not to go forth to "kill," but to "torment" them; to wit, by the calamities which they would bring upon Christian nations for a definite period. Indeed, as we have seen above, it was an express command of Aboubekir that they should not put those to death who were found leading quiet and peaceable lives in monasteries, though against another class he did give an express command to "cleave their skulls." See Gibbon, iii. 418. As applicable to the conflicts of the Saracens with Christians, the meaning here would seem to be, that the power conceded to those who are represented by the locusts was not to cut off and to destroy the church, but it was to bring upon it various calamities to continue for a definite period.

Accordingly, some of the severest afflictions which have come upon the church have undoubtedly proceeded from the followers of the Prophet of Mecca. There were times in the early history of that religion when, to all human appearance, it would universally prevail, and wholly supplant the Christian church. But the church still survived, and no power was at any time given to the Saracenic hosts to destroy it altogether. In respect to this, some remarkable facts have occurred in history. The followers of the false prophet contemplated the subjugation of Europe, and the destruction of Christianity, from two quarters - the East and the West - expecting to make a junction of the two armies in the north of Italy, and to march down to Rome. Twice did they attack the vital part of Christendom by besieging Constantinople: first, in the seven years' siege, which lasted from 668 a.d. to 675 a.d.; and, secondly, in the years 716-718, when Leo the Isaurian was on the imperial throne.

But on both occasions they were obliged to retire defeated and disgraced - Gibbon, iii. 461ff. Again, they renewed their attack on the West. Having conquered Northern Africa, they passed over into Spain, subdued that country and Portugal, and extended their conquests as far as the Loire. At that time they designed to subdue France, and having united with the forces which they expected from the East, they intended to make a descent on Italy, and complete the conquest of Europe. This purpose was defeated by the valor of Charles Martel, and Europe and the Christian world were saved from subjugation (Gibbon, iii. 467, following). "A victorious line of march," says Mr. Gibbon, "had been prolonged above a thousand miles, from the rock of Gibraltar to the banks of the Loire; the repetition of an equal space would have carried the Saracens to the confines of Poland and the Highlands of Scotland. The Rhine is not more impassable than the Nile or the Euphrates, and the Arabian fleet might have sailed without a naval combat into the mouth of the Thames. Perhaps the interpretation of the Koran would now be taught in the schools of Oxford, and her pulpits might demonstrate to a circumcised people the sanctity and truth of the revelation of Muhammed." The arrest of the Saracen hosts before Europe was subdued, was what there was no reason to anticipate, and it even yet perplexes historians to be able to account for it.

The calm historian," says Mr. Gibbon, "who strives to follow the rapid course of the Saracens, must study to explain by what means the church and state were saved from this impending, and, as it should seem, inevitable danger." "These conquests," says Mr. Hallam, "which astonish the careless and superficial, are less perplexing to a calm inquirer than their cessation - the loss of half the Roman empire than the preservation of the rest" (Middle Ages, ii. 3, 169). These illustrations may serve to explain the meaning of the symbol - that their grand commission was not to annihilate or root out, but to annoy and afflict. Indeed, they did not go forth with a primary design to destroy. The announcement of the Mussulman always was "the Koran, the tribute, or the sword," and when there was submission, either by embracing his religion or by tribute, life was always spared. "The fair option of friendship, or submission, or battle," says Mr. Gibbon (iii. 387), "was proposed to the enemies of Muhammed." Compare also vol. iii. 453, 456. The torment mentioned here, I suppose, refers to the calamities brought upon the Christian world - on Egypt, and Northern Africa, and Spain, and Gaul, and the East - by the hordes which came out of Arabia, and which swept over all those countries like a troublesome and destructive host of locusts. Indeed, would any image better represent the effects of the Saracenic invasions than such a countless host of locusts? Even now, can we find an image that would better represent this?

(5) the leader of this host:

(a) He was like a star that fell from heaven, Revelation 9:1, a bright and illustrious prince, as if heaven-endowed, but fallen. Would anything better characterize the genius, the power, and the splendid but perverted talent of Muhammed? Muhammed was, moreover, by birth, of the princely house of the Koreish, governors of Mecca, and to no one could the term be more appropriate than to one of that family.

(b) He was a king. That is, there was to be one monarch - one ruling spirit to which all these hosts were subject. And never was anything more appropriate than this title as applied to the leader of the Arabic hosts. All those hosts were subject to one mind - to the command of the single leader that originated the scheme.

(c) The name Abaddon, or Apollyon - Destroyer, Revelation 9:11. This name would be appropriate to one who spread his conquests so far over the world; who wasted so many cities and towns; who overthrew so many kingdoms; and who laid the foundation of ultimate conquests by which so many human beings were sent to the grave.

(d) The description of the leader "as the angel of the bottomless pit," Revelation 9:11. If this be regarded as meaning that "the angel of the bottomless pit" - the spirit of darkness himself - originated the scheme, and animated these hosts, what term would better characterize the leader? And if it be a poetic description of Muhammed as sent out by that presiding spirit of evil, how could a better representative of the spirit of the nether world have been sent out upon the earth than he was - one more talented, more sagacious, more powerful, more warlike, more wicked, more suited to subdue the nations of the earth to the dominion of the Prince of Darkness, and to hold them for ages under his yoke?

(6) the duration of the torment. It is said Revelation 9:5 that this would be five months; that is, prophetically, 150 years. See the notes on Revelation 9:5. The Hegira, or flight of Muhammed, occurred 622 a.d.; the Saracens first issued from the desert into Syria, and began their series of wars on Christendom, 629 a.d. Reckoning from these periods respectively, the five months, or 150 years, would extend to 772 or 779 a.d. It is not necessary to understand this period of 150 years of the actual continued existence of the bodies symbolized by the locusts, but only of the period in which they would inflict their "torment" - "that they should be tormented five months." That is, this would be the period of the intensity of the woe inflicted by them; there would be at that time some marked intermission of the torrent. The question then is, whether, in the history of the Saracens, there was any period after their career of conquest had been continued for about a hundred and fifty years, which would mark the intermission or cessation of these "torments."

If so, then this is all that is necessary to determine the applicability of the symbol to the Arabian hordes. Now, in reply to this question, we have only to refer to Mr. Gibbon. The table of contents profixed to chapters forty-one and forty-two of his work would supply all the information desired. I looked at that table, after making the estimate as to what period the "five months," or hundred and fifty years, would conduct us to, to see whether anything occurred at about that time in the Muhammedan power and influence, which could be regarded as marking the time of the intermission or cessation of the calamities inflicted by the Arabic hordes on the Christian world. After Mr. Gibbon had recorded in detail (vol. iii.-360-460) the character and conquests of the Arabian hordes under Muhammed and his successors, I find the statement of the decline of their power at just about the period to which the hundred and fifty years would lead us, for at that very time an important change came over the followers of the prophet of Mecca turning them from the love of conquest to the pursuits of literature and science.

From that period they ceased to be formidable to the church; their limits were gradually contracted; their power diminished; and the Christian world, in regard to them, was substantially at peace. This change in the character and purposes of the Saracens is thus described by Mr. Gibbon, at the close of the reign of the caliph Abdalrahman, whose reign commenced 755 a.d., and under whom the peaceful sway of the Ommiades of Spain began, which continued for a period of two hundred and fifty years. "The luxury of the caliphs, so useless to their private happiness, relaxed the nerves, and terminated the progress, of the Arabian empire. Temporal and spiritual conquest had been the sole occupation of the first successors of Muhammed; and after supplying themselves with the necessaries of life, the whole revenue was scrupulously devoted to that salutary work. The Abassides were impoverished by the multitude of their needs, and their contempt of economy. Instead of pursuing the great object of ambition, their leisure, their affections, and the powers of their minds were diverted by pomp and pleasure: the rewards of valor were embezzled by women and eunuchs, and the royal camp was encumbered by the luxury of the palace. A similar temper was diffused among the subjects of the caliph. Their stern enthusiasm was softened by time and prosperity: they sought riches in the occupations of industry, fame in the pursuits of literature, and happiness in the tranquility of domestic life.

War was no longer the passion of the Saracens; and the increase of pay, the repetition of donatives, were insufficient to allure the posterity of those voluntary champions who had crowded to the standard of Aboubekir and Omar for the hopes of spoil and of paradise," iii. 477, 478. Of the Ommiades, or princes who succeeded Abdalrahman, Mr. Gibbon remarks in general - "Their mutual designs or declarations of war evaporated without effect; but instead of opening a door to the conquest of Europe, Spain was dissevered from the trunk of the monarchy, engaged in perpetual hostility with the East, and inclined to peace and friendship with the Christian sovereigns of Constantinople and France," iii. p. 472. How much does this look like some change occurring by which they would cease to be a source of "torment" to the nations with whom they now dwelt! From this period they gave themselves to the arts of peace; cultivated literature and science; lost entirely their spirit of conquest, and their ambition for universal dominion, until they gradually withdrew, or were driven, from those parts of the Christian world where they had inspired most terror, and which in the days of their power and ambition they had invaded. By turning merely to the "table of contents" of Mr. Gibbon's history, the following periods, occurring at about the time that would be embraced in the "five months," or hundred and fifty years, are distinctly marked:

"a.d. 668-675 First siege of Constantinople by the Arabs. 677 Peace and tribute. 716-718 Second siege of Constantinople. 716-718 Failure and retreat of the Saracens. 716-718 Invention and use of the Greek fire. 721 Invasion of France by the Arabs. 732 Defeat of the Saracens by Charles Martel. 732 They retreat before the Franks. 746-750 The elevation of the Abassides. 750 Fall of the Ommiades. 755 Revolt of Spain. 755 Triple division of the caliphate. 750-960 Magnificence of the caliphs. 750-960 Its consequences on private and public happiness. 754 etc. Introduction of learning among the Arabians. 754 etc. Their real progress in the sciences."

It will be seen from this that the decline of their military and civil power; their defeats in their attempts to subjugate Europe; their turning their attention to the peaceful pursuits of literature and science, synchronize remarkably with the period that would be indicated by the five months, or 150 years. It should be added, also, that in the year 762, Almanzor, the caliph, built Bagdad, and made it the capital of the Saracen empire. Henceforward that became the seat of Arabic learning, luxury, and power, and the wealth and talent of the Saracen empire were gradually drawn to that capital, and they ceased to vex and annoy the Christian world. The building of Bagdad occurred within just ten years of the time indicated by the "five months" - reckoning that from the Hegira, or flight of Muhammed; or reckoning from the time when Muhammed began to preach (609 ad - Gibbon, iii. 383), it wanted only three years of coinciding exactly with the period.

These considerations show with what propriety the fifth trumpet - the symbol of the locusts - is referred to the Arabian hordes under the guidance of Muhammed and his successors. On the supposition that it was the design of John to symbolize these events, the symbo has been chosen which of all others was best adapted to the end. If, now that these events are past, we should endeavor to find some symbol which would appropriately represent them, we could not find one that would be more striking or appropriate than what is here employed by John.

Revelation 9:12
One woe is past; and, behold, there come two woes more hereafter.
One woe is past - The woe referred to in Revelation 9:1-11. In Revelation 8:13 three woes are mentioned which were to occur successively, and which were to embrace the whole of the period comprised in the seven seals and the seven trumpets. Under the last of the seals we have considered four successive periods, referring to events connected with the downfall of the Western empire; and then we have found one important event worthy of a place in noticing the things which would permanently affect the destiny of the world - the rise, the character, and the conquests of the Saracens. This was referred to by the first woe-trumpet. We enter now on the consideration of the second. This occupies the remainder of the chapter, and in illustrating it the same method will be pursued as heretofore: first, to explain the literal meaning of the words, phrases, and symbols; and then to inquire what events in history, if any, succeeding the former, occurred, which would correspond with the language used.

And, behold, there come two woes more hereafter - Two momentous and important events that will be attended with sorrow to mankind. It cannot be intended that there would be no other evils that would visit mankind; but the eye, in glancing along the future, rested on these as having a special pre-eminence in affecting the destiny of the church and the world.

Revelation 9:13
And the sixth angel sounded, and I heard a voice from the four horns of the golden altar which is before God,
And the sixth angel sounded - See the notes on Revelation 8:2, Revelation 8:7.

And I heard a voice from the four horns of the golden altar which is before God - In the language used here there is an allusion to the temple, but the scene is evidently laid in heaven. The temple in its arrangements was designed, undoubtedly, to be in important respects a symbol of heaven, and this idea constantly occurs in the Scriptures. Compare the Epistle to the Hebrews passim. The golden altar stood in the holy place, between the table of show-bread and the golden candlestick. See the notes on Hebrews 9:1-2. This altar, made of shittim or acacia wood, was ornamented at the four corners, and overlaid throughout with laminae of gold. Hence, it was called "the golden altar," in contradistinction from the altar for sacrifice, which was made of stone. Compare the notes on Matthew 21:12, following on its four corners it had projections which are called horns Exodus 30:2-3, which seem to have been intended mainly for ornaments. See Jahn, Arch. 332; Joseph. Ant. iii. 6, 8. When it is said that this was "before God," the meaning is, that it was directly before or in front of the symbol of the divine presence in the most holy place. This image, in the vision of John, is transformed to heaven. The voice seemed to come from the very presence of the Deity; from the place where offerings are made to God.

Revelation 9:14
Saying to the sixth angel which had the trumpet, Loose the four angels which are bound in the great river Euphrates.
Saying to the sixth angel, which had the trumpet - See the notes at Revelation 8:2.

Loose, ... - This power, it would seem, was given to the sixth angel in addition to his office of blowing the trumpet. All this, of course, was in vision, and cannot be literally interpreted. The meaning is, that the effect of his blowing the trumpet would be the same as if angels that had been bound should be suddenly loosed and suffered to go forth over the earth; that is, some event would occur which would be properly symbolized by such an act.

The four angels - Compare the notes at Revelation 8:2. It was customary to represent important events as occurring under the ministry of angels. The general meaning here is, that in the vicinity of the river Euphrates there were mighty powers which had been bound or held in check, which were now to be let loose upon the world. What we are to look for in the fulfillment is evidently this - some power that seemed to be kept back by an invisible influence as if by angels, now suddenly let loose and suffered to accomplish the purpose of desolation mentioned in the subsequent verses. It is not necessary to suppose that angels were actually employed in these restraints, though no one can demonstrate that their agency was not concerned in the transactions here referred to. Compare the notes on Daniel 10:12-13. It has been made a question why the number four is specified, and whether the forces were in any sense made up of four divisions, nations, or people. While nothing certain can be determined in regard to that, and while the number four may be used merely to denote a great and strong force, yet it must be admitted that the most obvious interpretation would be to refer it to some combination of forces, or to some union of powers, that was to accomplish what is here said. If it had been a single nation, it would have been more in accordance with the usual method in prophecy to have represented them as restrained by an angel, or by angels in general, without specifying any number.

Which are bound - That is, they seemed to be bound. There was something which held them, and the forces under them, in check, until they were thus commanded to go forth. In the fulfillment of this it will be necessary to look for something of the nature of a check or restraint on these forces, until they were commissioned to go forth to accomplish the work of destruction.

In the great river Euphrates - The well-known river of that name, commonly called, in the Scriptures, "the great river," and, by way of eminence, "the river," Exodus 23:31; Isaiah 8:7. This river was on the east of Palestine; and the language used here naturally denotes that the power referred to under the sixth trumpet would spring up in the East, and that it would have its origin in the vicinity of that river. Those interpreters, therefore, who apply this to the invasion of Judaea by the Romans have great difficulty in explaining this - as the forces employed in the destruction of Jerusalem came from the West, and not from the East. The fair interpretation is, that there were forces in the vicinity of the Euphrates which were, up to this period, bound or restrained, but which were now suffered to spread woe and sorrow over a considerable portion of the world.

Revelation 9:15
And the four angels were loosed, which were prepared for an hour, and a day, and a month, and a year, for to slay the third part of men.
And the four angels were loosed - Who had this mighty host under restraint. The loosening of the angels was, in fact, also a letting loose of all these hosts, that they might accomplish the work which they were commissioned to do.

Which were prepared - See Revelation 9:7. The word used here properly refers to what is made ready, suited up, arranged for anything: as persons prepared for a journey, horses for battle, a road for travelers, food for the hungry, a house to live in, etc. See Robinson's Lexicon, sub. voce Ἑτοιμάζω Hetoimazō. As used here, the word means "that whatever was necessary to prepare these angels" - the leaders of this host - for the work which they were commissioned to perform, was now done, and that they stood in a state of readiness to execute the design. In the fulfillment of this it will be necessary to look for some arrangements existing in the vicinity of the Euphrates, by which these restrained hosts were in a state of readiness to be summoned forth to the execution of this work, or in such a condition that they would go forth spontaneously if the restraints existing were removed.

For an hour, ... - Margin, "at." The Greek - εἰς eis - means properly "unto, with reference to"; and the sense is, that, with reference to that hour, they had all the requisite preparation. Prof. Stuart explains it as meaning that they were "prepared for the particular year, month, day, and hour, destined by God for the great catastrophe which is to follow." The meaning, however, rather seems to be that they were prepared, not for the commencement of such a period, but they were prepared for the whole period indicated by the hour, the day, the month, and the year; that is, that the continuance of this "woe" would extend along through the whole period. For:

(a) this is the natural interpretation of the word "for" - εἰς eis;

(b) it makes the whole sentence intelligible - for though it might be proper to say of anything that it was "prepared for an hour," indicating the commencement of what was to be done, it is not usual to say of anything that it is "prepared for an hour, a month, a day, a year," when the design is merely to indicate the beginning of it; and,

(c) it is in accordance with the prediction respecting the first "woe" Revelation 9:5, where the time is specified in language similar to this, to wit, "five months." It seems to me, therefore, that we are to regard the time here mentioned as a prophetic indication of the period during which this woe would continue.

An hour, and a day, and a month, and a year - If this were to be taken literally, it would, of course, be but little more than a year. If it be taken, however, in the common prophetic style, where a day is put for a year (see the notes on Daniel 9:24 ff; also Editor's Preface, p. xxv. etc.), then the amount of time (360 + 30 + 1 + an hour) would be 391 years, and the portion of a year indicated by an hour - a twelfth part or twenty-fourth part, according as the day was supposed to be divided into twelve or twenty-four hours. That this is the true view seems to be clear, because this accords with the usual style in this book; because it can hardly be supposed that the "preparation" here referred to would have been for so brief a period as the time would be if literally interpreted; and because the mention of so small a portion of time as an "hour," if literally taken, would be improbable in so great transactions. The fair interpretation, therefore, will require us to find some events that will fill up the period of about 391 years.

For to slay the third part of men - Compare Revelation 8:7, Revelation 8:9,Revelation 8:12. The meaning here is, that the immense host which was restrained on the Euphrates would, when loosed, spread desolation over about a third part of the world. We are not to suppose that this is to be understood in exactly a literal sense; but the meaning is, that the desolation would be so widespread that it would seem to embrace a third of the world. No such event as the cutting off of a few thousands of Jews in the siege of Jerusalem would correspond with the language here employed, and we must look for events more general and more disastrous to mankind at large.

Revelation 9:16
And the number of the army of the horsemen were two hundred thousand thousand: and I heard the number of them.
And the number of the army of the horsemen - It is to be observed here that the strength of the army seemed to be cavalry. In the former plagues there is no distinct mention of horsemen; but here what struck the beholder was the immense and unparalleled number of horsemen.

Were two hundred thousand thousand - A thousand thousand is one million, and consequently the number here referred to would be 200 million. This would be a larger army than was ever assembled, and it cannot be supposed that it is to be taken literally. That it would be a very large host - so large that it would not be readily numbered - is clear. The expression in the original, while it naturally conveys the idea of an immense number, would seem also to refer to some uniqueness in the manner of reckoning them. The language is, "two myriads of myriads" - δύο μυριάδες μυριάδων duo muriades muriadōn. The myriad was ten thousand. The idea would seem to be this. John saw an immense host of cavalry. They appeared to be divided into large bodies that were in some degree separate, and that might be reckoned by ten thousands. Of these different squadrons there were many, and to express their great and unusual numbers he said that there seemed to be myriads of them - two myriads of myriads, or twice ten thousand myriads. The army thus would seem to be immense - an army, as we should say, to be reckoned by tens of thousands.

And I heard the number of them - They were so numerous that he did not pretend to be able to estimate the number himself, for it was beyond his power of computation; but he heard it stated in these round numbers, that there were "two myriads of myriads" of them.

Revelation 9:17
And thus I saw the horses in the vision, and them that sat on them, having breastplates of fire, and of jacinth, and brimstone: and the heads of the horses were as the heads of lions; and out of their mouths issued fire and smoke and brimstone.
And thus I saw the horses in the vision - That is, he saw them as he proceeds to describe them, for the word "thus" - οὕτως houtōs - refers to what follows. Compare Robinson's Lexicon on the word (b), and see Matthew 1:18; Matthew 2:5; John 21:1; Hebrews 4:4. Prof. Stuart, however, refers to what precedes. The meaning, as it seems to me, is, that he fixed his attention on the appearance of the immense army - the horses and their riders, and proceeded to describe them as they struck him.

And them that sat on them - He fixed the attention on horse and rider. Their appearance was unusual, and deserved a particular description.

Having breastplates of fire - That is, those who sat on them had such breastplates. The word rendered here as "breastplate" denoted properly a coat of mail that covered the body from the neck to the thighs. See the notes on Ephesians 6:14. This would be a prominent object in looking at a horseman. This was said to be composed of "fire, and jacinth, and brimstone"; that is, the part of the body usually incased in the coat of mail had these three colors. The word "fire" here simply denotes red. It was burnished and bright, and seemed to be a blaze of fire. The word "jacinth" - ὑακινθίνους huakinthinous - means "hyacinthine." The color denoted is that of the hyacinth - a flower of a deep purple or reddish blue. Then it refers to a gem of the same color, nearly related to the zircon of the mineralogists, and the color mentioned here is deep purple or reddish blue. The word rendered "brimstone" - θειώδης theiōdēs - means properly "sulphurous," that is, made of sulphur, and means here simply yellow. The meaning of the whole then is, that these horsemen appeared to be clad in a special kind of armor - armor that shone like fire, mingled with blue and yellow. It will be necessary to look for the fulfillment of this in cavalry that was so caparisoned.

And the heads of the horses were as the heads of lions - Resembled, in some respects, the heads of lions. He does not say that they were the heads of lions, or that the riders were on monsters, but only that they, in some respects, resembled the heads of lions. It would he easy to give this general appearance by the way in which the head-dress of the horses was arrayed.

And out of their mouths issued - That is, appeared to issue. It is not necessary to understand this as affirming that it actually came from their months, but only that, to one looking on such an approaching army, it would have this appearance. The pagan poets often speak of horses breathing out fire and smoke (Virgil, Geor. vol. ii. p. 140; iii. 85; Ovid, Met. vol. vii. p. 104), meaning that their breath seemed to be mingled smoke and fire. There is an image superadded here not found in any of the classic descriptions, that this was mingled with brimstone. All this seemed to issue from their mouths - that is, it was breathed forth in front of the host, as if the horses emitted it from their mouths.

Fire and smoke and brimstone - The exact idea, whether that was intended or not, would be conveyed by the discharge of musketry or artillery. The fire, the smoke, and the sulphurous smell of such a discharge would correspond precisely with this language; and if it be supposed that the writer meant to describe such a discharge, this would be the very language that would be used. Moreover, in describing a battle nothing would be more proper than to say that this appeared to issue from the horses' mouths. If, therefore, it should be found that there were any events where firearms were used, in contradistinction from the ancient mode of warfare, this language would be appropriate to describe that; and if it were ascertained that the writer meant to refer to some such fact, then the language used here would be what he would adopt. One thing is certain, that this is not language which would be employed to describe the onset of ancient cavalry in the mode of warfare which prevailed then. No one describing a charge of cavalry among the Persians, the Greeks, or the Romans, when the only armor was the sword and the spear, would think of saying that there seemed to be emitted from the horses' mouths fire, and smoke, and brimstone.

Revelation 9:18
By these three was the third part of men killed, by the fire, and by the smoke, and by the brimstone, which issued out of their mouths.
By these three - Three things - explained immediately as referring to the fire, the smoke, and the brimstone.

Was the third part of men killed - See the notes on Revelation 8:7-12, on each of which verses we have notices of calamities that came upon the third part of the race, of the sea, of rivers, etc. We are not to suppose that this is to be taken literally, but the description is given as it appeared to John. Those immense numbers of horsemen would sweep over the world, and a full third part of the race of people would seem to fall before them.

Revelation 9:19
For their power is in their mouth, and in their tails: for their tails were like unto serpents, and had heads, and with them they do hurt.
For their power is in their mouth - That is, as described in the fire, smoke, and brimstone that proceeded out of their mouths. What struck the seer as remarkable on looking on the symbol was, that this immense destruction seemed to proceed out of their mouths. It was not that they trampled down their enemies; nor that they destroyed them with the sword, the bow, or the spear: it was some new and remarkable power in warfare - in which the destruction seemed to proceed from fire, and smoke, and sulphur issuing from the mouths of the horses themselves.

And in their tails - The tails of the horses. This, of course, was something unusual and remarkable in horses, for naturally they have no power there. The power of a fish, or a scorpion, or a wasp, may be said to be in their tails, for their strength or their means of defense or of injury are there; but we never think of speaking in this way of horses. It is not necessary, in the interpretation of this, to suppose that the reference is literally to the tails of the horses, anymore than it is to suppose that the smoke, and fire, and brimstone literally proceeded from their mouths. John describes things as they appeared to him in looking at them from a considerable distance. From their mouths the horses belched forth fire, and smoke, and sulphur, and even their tails seemed to be armed for the work of death.

For their tails were like unto serpents - Not like the tails of serpents, but like serpents themselves.

And had heads - That is, there was something remarkable in the position and appearance of their heads. All serpents, of course, have heads; but John saw something unusual in this - or something so unique in their heads as to attract special attention. It would seem most probable that the heads of these serpents appeared to extend in every direction - as if the hairs of the horses' tails had been converted into snakes, presenting a most fearful and destructive image. Perhaps it may illustrate this to suppose that there is reference to the Amphisbaena, or two-headed snake. It is said of this reptile that its tail resembles a head, and that with this it throws out its poison (Lucan, vol. ix. p. 179; Pliny's Hist. Nat. vol. viii. p. 35). It really has but one head, but its tail has the appearance of a head, and it has the power of moving in either direction to a limited degree. If we suppose these snakes fastened to the tail of a horse, the appearance of heads would be very prominent and remarkable. The image is that of the power of destruction. They seemed like ugly and poisonous serpents instead of tails.

And with them they do hurt - Not the main injury, but they have the power of inflicting some injury by them.

Revelation 9:20
And the rest of the men which were not killed by these plagues yet repented not of the works of their hands, that they should not worship devils, and idols of gold, and silver, and brass, and stone, and of wood: which neither can see, nor hear, nor walk:
And the rest of the men which were not killed by these plagues ... - One third part is represented as swept off, and it might have been expected that a salutary effect would have been produced on the remainder, in reforming them, and restraining them from error and sin. The writer proceeds to state, however, that these judgments did not have the effect which might reasonably have been anticipated. No reformation followed; there was no abandonment of the prevailing forms of iniquity; there was no change in their idolatry and superstition. In regard to the exact meaning of what is here stated Revelation 9:20-21, it will be a more convenient arrangement to consider it after we have ascertained the proper application of the passage relating to the sixth trumpet. What is here stated Revelation 9:20-21 pertains to the state of the world after the desolations which would occur under this woe-trumpet; and the explanation of the words may be reserved, therefore, with propriety, until the inquiry shall have been instituted as to the general design of the whole.

With respect to the fulfillment of this symbol - the sixth trumpet - it will be necessary to inquire whether there has been any event, or class of events occurring at such a time, and in such a manner, as would be properly denoted by such a symbol. The examination of this question will make it necessary to go over the leading points in the symbol, and to endeavor to apply them. In doing this I shall simply state, with such illustrations as may occur, what seems to me to have been the design of the symbol. It would be an endless task to examine all the explanations which have been proposed, and it would be useless to do so.

The reference, then, seems to me to be to the Turkish power, extending from the time of the first appearance of the Turks in the neighborhood of the Euphrates, to the final conquest of Constantinople in 1453. The general reasons for this opinion are such as the following:

(a) If the previous trumpet referred to the Saracens, or to the rise of the Muhammedan power among the Arabs, then the Turkish dominion, being the next in succession, would be what would most naturally be symbolized.

(b) The Turkish power rose on the decline of the Arabic, and was the next important power in affecting the destinies of the world.

(c) This power, like the former, had its seat in the East, and would be properly classified under the events occurring there as affecting the destiny of the world.

(d) The introduction of this power was necessary, in order to complete the survey of the downfall of the Roman empire - the great object kept in view all along in these symbols.

In the first four of these trumpets, under the seventh seal, we found the decline and fall of the Western empire; in the first of the remaining three - the fifth in order - we found the rise of the Saracens, materially affecting the condition of the Eastern portion of the Roman world; and the notice of the Turks, under whom the empire at last fell to rise no more, seemed to be demanded in order to the completion of the picture. As a leading design of the whole vision was to describe the ultimate destiny of that formidable power - the Roman - which, in the time when the Revelation was given to John ruled over the whole world; under which the church was then oppressed; and which, either as a civil or ecclesiastical power, was to exert so important an influence on the destiny of the church, it was proper that its history should be sketched until it ceased - that is, until the conquest of the capital of the Eastern empire by the Turks. Here the termination of the empire, as traced by Mr. Gibbon, closes; and these events it was important to incorporate in this series of visions.

The rise and character of the Turkish people may be seen stated in full in Gibbon, Decline and Fall, iii.-101-103, 105, 486; iv. 41, 42, 87, 90, 91, 93, 100, 127, 143, 151, 258, 260, 289, 350. The leading facts in regard to the history of the Turks, so far as they are necessary to be known before we proceed to apply the symbols, are the following:

(1) The Turks, or Turkmans, had their origin in the vicinity of the Caspian Sea, and were divided into two branches, one on the east, and the other on the west. The latter colony, in the 10th century, could muster 40,000 soldiers; the other numbered 100,000 families (Gibbon, iv. 90). By the latter of these, Persia was invaded and subdued, and soon Bagdad also came into their possession, and the seat of the caliph was occupied by a Turkish prince. The various details respecting this, and respecting their conversion to the faith of the Koran, may be seen in Gibbon, iv. 90-93. A mighty Turkish and Moslem power was thus concentrated under Togrul, who had subdued the caliph, in the vicinity of the Tigris and the Euphrates, extending east over Persia and the countries adjacent to the Caspian Sea, but it had not yet crossed the Euphrates to carry its conquests to the west. The conquest of Bagdad by Togrul, the first prince of the Seljuk race, was an important event, not only in itself, but as it was by this event that the Turk was constituted temporal lieutenant of the prophet's vicar, and so the head of the temporal power of the religion of Islam. "The conqueror of the East kissed the ground, stood some time in a modest posture, and was led toward the throne by the vizier and an interpreter. After Togrul had seated himself on another throne his commission was publicly read, which declared him the temporal lieutenant of the prophet. He was successively invested with seven robes of honor, and presented with seven slaves, the natives of the seven climates of the Arabian empire, etc. Their alliance (of the sultan and the caliph) was cemented by the marriage of Togrul's sister with the successor of the prophet," etc. (Gibbon, iv. 93).

The conquest of Persia, the subjugation of Bagdad, the union of the Turkish power with that of the caliph, the successor of Muhammed, and the foundation of this powerful kingdom in the neighborhood of the Euphrates, is all that is necessary to explain the sense of the phrase "which were prepared for an hour," etc., Revelation 9:15. The arrangements were then made for the important series of events which were to occur when that formidable power should be summoned from the East, to spread the predicted desolation over so large a part of the world. A mighty dominion had been forming in the East that had subdued Persia, and that, by union with the caliphs, by the subjugation of Bagdad, and by embracing the Muhammedan faith, had become "prepared" to play its subsequent important part in the affairs of the world.

(2) the next important event in their history was the crossing of the Euphrates, and the invasion of Asia Minor. The account of this invasion can be best given in the words of Mr. Gibbon: "Twenty-five years after the death of Basil (the Greek emperor), his successors were suddenly assaulted by an unknown race of barbarians, who united the Scythian valor with the fanaticism of new proselytes, and the art and riches of a powerful monarchy. The myriads of Turkish horse overspread a frontier of 600 miles from Taurus to Arzeroum, and the blood of one hundred and thirty thousand Christians was a grateful sacrifice to the Arabian prophet. Yet the arms of Togrul did not make any deep or lasting impression on the Greek empire. The torrent rolled away from the open country; the sultan retired without glory or success from the siege of an Armenian city; the obscure hostilities were continued or suspended with a vicissitude of events; and the bravery of the Macedonian legions renewed the fame of the conqueror of Asia. The name of Alp Arslan, the valiant lion, is expressive of the popular idea of the perfection of man; and the successor of Togrul displayed the fierceness and generosity of the royal animal. ('The heads of the horses were as the heads of lions.') He passed the Euphrates at the head of the Turkish cavalry, and entered Caesarea, the metropolis of Cappadocia, to which he had been attracted by the fame and the wealth of the temple of Basil" (vol. iv. 93, 94; compare also p. 95).

(3) the next important event was the establishing of the kingdom of Roum in Asia Minor. After a succession of victories and defeats; after being driven once and again from Asia Minor, and compelled to retire beyond its limits; and after subjecting the East to their arms (Gibbon, iv. 95-100) in the various contests for the crown of the Eastern empire, the aid of the Turks was invoked by one party or the other until they secured for themselves a firm foothold in Asia Minor, and established themselves there in a permanent kingdom - evidently with the purpose of seizing upon Constantinople itself when an opportunity should be presented (Gibbon, iv. 100, 101). Of this kingdom of Roum Mr. Gibbon (iv. 101) gives, the following description, and speaks thus of the effect of its establishment on the destiny of the Eastern empire: "Since the first conquests of the caliphs, the establishment of the Turks in Anatolia, or Asia Minor, was the most deplorable loss which the church and empire had sustained. By the propagation of the Moslem faith Soliman deserved the name of Gazi, a holy champion; and his new kingdom of the Romans, or of Roum, was added to the table of Oriental geography. It is described as extending from the Euphrates to Constantinople, from the Black Sea to the confines of Syria; pregnant with mines of silver and iron, of alum and copper, fruitful in grain and wine, and productive of cattle and excellent horses. The wealth of Lydia, the arts of the Greeks, the splendor of the Augustan age, existed only in books and ruins, which were equally obscure in the eyes of the Scythian conquerors. By the choice of the Sultan, Nice, the metropolis of Bithynia, was preferred for his palace and fortress - the seat of the Seljukian dynasty of Roum was planted one hundred miles from Constantinople; and the divinity of Christ was denied and derided in the same temple in which it had been pronounced by the first general synod of the Catholics. The unity of God and the mission of Muhammed were preached in the mosques; the Arabian learning was taught in the schools; the cadis judged according to the law of the Koran; the Turkish manners and language prevailed in the cities; and Turkman camps were scattered over the plains and mountains of Anatolia," etc.

(4) the next material event in the history of the Turkish power was the conquest of Jerusalem. See this described in Gibbon, iv. 102-106. By this the attention of the Turks was turned for a time from the conquest of Constantinople - an event at which the Turkish power all along aimed, and in which they doubtless expected to be ultimately successful. Had they not been diverted from it by the wars connected with the Crusades, Constantinople would have fallen long before it did fall, for it was too feeble to defend itself if it had been attacked.

(5) the conquest of Jerusalem by the Turks, and the oppressions which Christians experienced there, gave rise to the Crusades, by which the destiny of Constantinople was still longer delayed. The war of the Crusades was made on the Turks, and as the crusaders mostly passed through Constantinople and Anatolia, all the power of the Turks in Asia Minor was requisite to defend themselves, and they were incapable of making an attack on Constantinople until after the final defeat of the crusaders and restoration of peace. See Gibbon, iv. 106-210.

(6) The next material event in the history of the Turks was the conquest of Constantinople in 1453 ad - an event which established the Turkish power in Europe and completed the downfall of the Roman empire (Gibbon, iv. 333-359).

After this brief reference to the general history of the Turkish power, we are prepared to inquire more particularly whether the symbol in the passage before us is applicable to this series of events. This may be considered in several particulars:

(1) "The time." If the first woe-trumpet referred to the Saracens, then it would be natural that the rise and progress of the Turkish power should be symbolized as the next great fact in history, and as that under which the empire fell. As we have seen, the Turkish power rose immediately after the power of the Saracens had reached its height, and identified itself with the Muhammedan religion; and was, in fact, the next great power that affected the Roman empire, the welfare of the church, and the history of the world. There can be no doubt, therefore, that the time is such as is demanded in the proper interpretation of the symbol.

(2) "the place." We have seen (in the remarks on Revelation 9:14) that this was on or near the river Euphrates, and that this power was long forming and consolidating itself on the east of that river before it crossed it in the invasion of Asia Minor. It had spread over Persia, and had even invaded the region of the East as far as the Indies; it had secured, under Togrul, the conquest of Bagdad, and had united itself with the caliphate, and was, in fact, a mighty power "prepared" for conquest before it moved to the west. Thus, Mr. Gibbon (iv. 92) says, "The more rustic, perhaps the wisest, portion of the Turkmans continued to dwell in the tents of their ancestors; and from the Oxus to the Euphrates these military colonies were protected and propagated by their native princes." So again, speaking of Alp Arslan, the son and successor of Togrul, he says (iv. 94), "He passed the Euphrates at the head of the Turkish cavalry, and entered Caesarea, the metropolis of Cappadocia, to which he was attracted by the fame and the wealth of the temple of Basil." If it be admitted that it was intended by John to refer to the Turkish power, it could not have been better represented than as a power that had been forming in the vicinity of that great river, and that was prepared to precipitate itself on the Eastern empire. To one contemplating it in the time of Togrul or Alp Arslan, it would have appeared as a mighty power growing up in the neighborhood of the Euphrates.

(3) "the four angels:" "Loose the four angels which are bound." That is, loose the powers which are in the vicinity of the Euphrates, as if they were under the control of four angels. The most natural construction of this would be, that under the mighty power that was to sweep over the world, there were four subordinate powers, or that there were such subdivisions that it might be supposed they were ranged under four angelic powers or leaders. The question is, whether there was any such division or arrangement of the Turkish power, that, to one looking on it at a distance, there would seem to be such a division. In the "History of the Decline and Fall of the Roman Empire" (iv. 100) we find the following statement: "The greatness and unity of the Turkish empire expired in the person of Malek Shah. The vacant throne was disputed by his brother and his four sons; and, after a series of civil wars, the treaty which reconciled the surviving candidates confirmed a lasting separation in the Persian dynasty, the oldest and principal branch of the house of Seljuk. The three younger dynasties were those of Kerman, of Syria, and of Roum; the first of these commanded an extensive, though obscure dominion, on the shores of the Indian Ocean; the second expelled the Arabian princes of Aleppo and Damascus: and the third (our special care) invaded the Roman provinces of Asia Minor. The generous policy of Malek contributed to their elevation; he allowed the princes of his blood, even those whom he had vanquished in the field, to seek new kingdoms worthy of their ambition; nor was he displeased that they should draw away the more ardent spirits who might have disturbed the tranquility of his reign.

As the supreme head of his family and nation, the great Sultan of Persia commanded the obedience and tribute of his royal brethren: the thrones of Kerman and Nice, of Aleppo and Damascus; the atabeks and emirs of Syria and Mesopotamia erected their standards under the shadow of his scepter, and the hordes of Turkmans overspread the plains of Western Asia. After the death of Malek the bands of union and subordination were gradually relaxed and dissolved; the indulgence of the house of Seljuk invested their slaves with the inheritance of kingdoms; and, in the Oriental style, a crowd of princes arose from the dust of their feet." Here it is observable, that, at the period when the Turkman hordes were about to precipitate themselves on Europe, and to advance to the destruction of the Eastern empire, we have distinct mention of four great departments of the Turkish power: the original power that had established itself in Persia, under Malek Shah, and the three subordinate powers that sprung out of that of Kerman, Syria, and Roum. It is observable:

(a) that this occurs at the period when that power would appear in the East as advancing in its conquests to the West;

(b) that it was in the vicinity of the great river Euphrates;

(c) that it had never before occurred - the Turkish power having been before united as one; and,

(d) that it never afterward occurred - for, in the words of Mr. Gibbon, "after the death of Malek the bands of union and subordination were relaxed and finally dissolved."

It would not be improper, then, to look upon this one mighty power as under the control of four spirits that were held in cheek in the East, and that were "prepared" to pour their energies on the Roman empire.

(4) "the preparation:" "Prepared for an hour," etc. That is, arranged; made ready - as if by previous discipline - for some mighty enterprise. Applied to the Turkmans, this would mean that the preparation for the ultimate work which they executed had been making as that power increased and became consolidated under Togrul, Alp Arslan, and Malek Shah. In its successful strides Persia and the East had been subdued; the caliph at Bagdad had been brought under the control of the sultan; a union had been formed between the Turks and the Saracens; and the sultanies of Kerman, Syria, and Roum had been established embracing together all the countries of the East, and constituting this by far the most mighty nation on the globe. All this would seem to be a work of preparation to do what was afterward done as seen in the visions of John.

(5) "the fact that they were bound:" "Which are bound in the great river Euphrates." That is, they were, as it were, restrained and kept back for a long time in that vicinity. It would have been natural to suppose that that vast power would at once move on toward the West to the conquest of the capital of the Eastern empire. Such had been the case with the Huns, the Goths, and the Vandals. But these Turkish hordes had been long restrained in the East. They had subdued Persia. They had then achieved the conquest of India. They had conquered Bagdad, and the entire East was under their control. Yet for a long time they had now been inactive, and it would seem as if they had been bound or restrained by some mighty power from moving in their conquests to the West.

(6) "the material that composed the army:" "And the number of the army of the horsemen." "And thus I saw the horses in the vision. And the heads of the horses were as the heads of lions." From this it appears that this vast host was composed mainly of cavalry; and it is hardly necessary to say that this description would apply better to the Turkish hordes than to any other body of invaders known in history. Thus, Mr. Gibbon (vol. iv. p. 94) says, "The myriads of the Turkish horse overspread a frontier of six hundred miles, from Taurus to Arzeroum," 1050 ad. So again, speaking of Togrul (vol. iv. p. 94), "He passed the Euphrates at the head of the Turkish cavalry" (ibid.). So again (vol. iii. p. 95), "Alp Arslan flew to the scene of action at the head of forty thousand horse." 1071 a.d. So in the attack of the crusaders on Nice, the capital of the Turkish kingdom of Roum, Mr. Gibbon (vol. iv. p. 127) says of the sultan Soliman: "Yielding to the first impulse of the torrent, he deposited his treasure and family in Nice; retired to the mountains with fifty thousand horse," etc. And so again (ibid.), speaking of the Turks who rallied to oppose the "strange" invasion of "the Western barbarians," he says, "The Turkish emirs obeyed the call of loyalty or religion; the Turkman hordes encamped round his standard; and his whole force is loosely stated by the Christians at two hundred, or even three hundred and sixty thousand horse," 1097 a.d. Every student of history knows that the Turks, or Turkmans, in the early periods of their history, were remarkable for their cavalry.

(7) "their numbers:" "And the number of the army of the horsemen were two hundred thousand thousand." That is, it was vast, or it was such as to be reckoned by myriads, or by tens of thousands - δύο μυριάδες μυριάδων duo muriades muriadōn - "two myriads of myriads." Thus, Mr. Gibbon (vol. iv. p. 94) says, "The myriads of Turkish horse overspread," etc. It has been suggested by Daubuz that in this there may be probably an allusion to the Turkman custom of numbering by tomans, or myriads. This custom, it is true, has existed elsewhere, but there is probably none with whom it has been so familiar as with the Tartars and Turks. In the Seljukian age the population of Samarcand was rated at seven tomans (myriads), because it could send out 70,000 warriors. The dignity and rank of Tamerlane's father and grandfather was thus described, that "they were the hereditary chiefs of a toman, or 10,000 horse" - a myriad (Gibbon, vol. iv. p. 270); so that it is not without his usual propriety of language that Mr. Gibbon speaks of the myriads of the Turkish horse, or of the cavalry of the earlier Turks of Mount Altai, "being, both men and horses, proudly computed by myriads." One thing is clear, that to no other invading hosts could the language used here be so well applied, and if it were supposed that John was writing after the event, this would be the language which he would be likely to employ - for this is nearly the identical language employed by the historian Gibbon.

(8) "their personal appearance:" "Them that sat on them having breastplates of fire, and of jacinth, and brimstone" - as explained above, in a "uniform" of red, and blue, and yellow. This might, undoubtedly, be applicable to other armies besides the Turkish hordes; but the proper question here is, whether it would be applicable to them. The fact of the application of the symbol to the Turks in general must be determined from other points in the symbol which designate them clearly; the only natural inquiry here is, whether this description would apply to the Turkish hosts; for if it would not, that would be fatal to the whole interpretation. On the application of this passage to the Turks Mr. Daubuz justly remarks, that "from their first appearance the Ottomans have affected to wear warlike apparel of scarlet, blue, and yellow - a descriptive trait the more marked from its contrast to the military appearance of the Greeks, Franks, or Saracens contemporarily." Mr. Elliott adds: "It only needs to have seen the Turkish cavalry (as they were before the late innovations), whether in war itself, or in the djerrid war's mimicry, to leave an impression of the absolute necessity of some such notice of their rich and varied colorings, in order to give in description at all a just impression of their appearance," vol. i. p. 481.

(9) "The remarkable appearance of the cavalry:" "Having breastplates of fire, and of jacinth, and brimstone; and the heads of the horses were as the heads of lions; and out of their mouths issued fire, and smoke, and brimstone." It was remarked in the exposition of this passage that this is just such a description as would be given of an army to which the use of gunpowder was known, and which made use of it in these wars. Looking now upon a body of cavalry in the heat of an engagement, it would seem, if the cause were not known, that the horses belched forth smoke and sulphurous flame. The only question now is, whether in the warfare of the Turks there was anything which would especially or remarkably justify this description. And here it is impossible not to advert to the historical fact that they were among the first to make use of gunpowder in their wars, and that to the use of this destructive element they owed much of their success and their ultimate triumphs.

The historical truth of this it is necessary now to advert to, and this will be done by a reference to Mr. Gibbon, and to the account which he has given of the final conquest of Constantinople by the Turks. It will be seen how he puts this new instrumentality of war into the foreground in his account; how prominent this seemed to him to be in describing the victories of the Turks; and how probable, therefore, it is that John, in describing an invasion by them, would refer to the "fire and smoke and brimstone," that seemed to be emitted from the mouths of their horses. As preparatory to the account of the siege and conquest of Constantinople by the Turks, Mr. Gibbon gives a description of the invention and use of gunpowder. "The chemists of China or Europe had found, by casual or elaborate experiments, that a mixture of saltpetre, sulpher, and charcoal produces, with a spark of fire, a tremendous explosion. It was soon observed that if the expansive force were compressed in a strong tube, a ball of stone or iron might be expelled with irresistible add destructive velocity. The precise era of the invention and application of gunpowder is involved in doubtful traditions and equivocal language; yet we may clearly discern that it was known before the middle of the fourteenth century; and that before the end of the same the use of artillery in battles and sieges, by sea and land, was familiar to the states of Germany, Italy, Spain, France, and England. The priority of nations is of small account; none could derive any exclusive benefit from their previous or superior knowledge; and in the common improvement they stood on the same level of relative power and military science.

Nor was it possible to circumscribe the secret within the pale of the church; it was disclosed to the Turks by the treachery of apostates and the selfish policy of rivals; and the sultans had sense to adopt, and wealth to reward, the talents of a Christian engineer. By the Venetians the use of gunpowder was communicated without reproach to the sultans of Egypt and Persia, their allies against the Ottoman power; the secret was soon propagated to the extremities of Asia; and the advantage of the European was confined to his easy victories over the savages of the New World," vol. iv. p. 291. In the description of the conquest of Constantinople Mr. Gibbon makes frequent mention of their artillery, and of the use of gunpowder, and of its important agency in securing their final conquests, and in the overthrow of the Eastern empire. "Among the implements of destruction he (the Turkish sultan) studied with special care the recent and tremendous discovery of the Latins; and his artillery surpassed whatever had yet appeared in the world. A founder of cannon, a Dane or Hungarian, who had almost starved in the Greek service, deserted to the Moslems, and was liberally entertained by the Turkish sultan. Muhammed was satisfied with the answer to his first question, which he eagerly pressed on the artist: 'Am I able to cast a cannon capable of throwing a ball or stone of sufficient size to batter the walls of Constantinople? I am not ignorant of their strength, but, were they more solid than those of Babylon, I could oppose an engine of superior power; the position and management of that engine must be left to your engineers.' On this assurance a foundry was established at Adrianople; the metal was prepared; and at the end of three months Urban produced a piece of brass ordnance of stupendous and almost incredible magnitude: a measure of twelve palms is assigned to the bore; and the stone bullet weighed above six hundred pounds.

A vacant place before the new palace was chosen for the first experiment; but to prevent the sudden and mischievous effects of astonishment and fear, a proclamation was issued that the cannon would be discharged the ensuing day. The explosion was felt or heard in a circuit of 100 furlongs; the ball, by force of gunpowder, was driven above a mile; and on the spot where it fell it buried itself a fathom deep in the ground," vol. iv. p. 339. So, in speaking of the siege of Constantinople by the Turks, Mr. Gibbon says of the defense by the Christians (vol. iv. p. 343): "The incessant volleys of lances and arrows were accompanied with the smoke, the sound, and the fire of their musketry and cannon." "The same destructive secret," he adds, "had been revealed to the Moslems, by whom it was employed with the superior energy of zeal, riches, and despotism. The great cannon of Muhammed has been separately noticed - an important and visible object in the history of the times; but that enormous engine was flanked by two follows almost of equal magnitude; the long order of the Turkish artillery was pointed against the walls; fourteen battories thundered at once on the most accessible places; and of one of these it is ambiguously expressed that it was mounted with one hundred and thirty guns, or that it discharged one hundred and thirty bullets," vol. iv. pp. 343, 344.

Again: "The first random shots were productive of more sound than effect; and it was by the advice of a Christian that the engineers were taught to level their aim against the two opposite sides of the salient angles of a bastion. However imperfect, the weight and repetition of the fire made some impression on the walls," vol. iv. p. 344. And again: "A circumstance that distinguishes the siege of Constantinople is the reunion of the ancient and modern artillery. The cannon were intermingled with the mechanical engines for casting stones and darts, the bullet and the battering-ram were directed against the same walls; nor had the discovery of gunpowder superseded the use of the liquid and inextinguishable fire," vol. iv. p. 344. So again, in the description of the final conflict when Constantinople was taken, Mr. Gibbon says, "From the lines, the galleys, and the bridge, the Ottoman artillery thundered on all sides; and the camp and city, the Greeks and the Turks, were involved in a cloud of smoke which could only be dispelled by the final deliverance or destruction of the Roman empire," vol. iv. p. 350. Assuredly, if such was the fact in the conquests of the Turks, it was not unnatural in one who was looking on these warriors in vision to describe them as if they seemed to belch out "fire and smoke and brimstone." If Mr. Gibbon had designed to describe the conquest of the Turks as a fulfillment of the prediction, could he have done it in a style more clear and graphic than what he has employed? If this had occurred in a Christian writer, would it not have been charged on him that he had shaped his facts to meet his notions of the meaning of the prophecy?

(10) the statement that "their power was in their mouth, and in their tails," Revelation 9:19. The former part of this has been illustrated. The inquiry now is, what is the meaning of the declaration that "their power was in their tails?" In Revelation 9:19 their tails are described as resembling "serpents, having heads," and it is said that "with them they do hurt." See the notes on that verse. The allusion to the "serpents" would seem to imply that there was something in the horses' tails, as compared with them, or in some use that was made of them, which would make this language proper; that is, that their appearance would so suggest the idea of death and destruction, that the mind would easily imagine they were a bundle of serpents. The following remarks may show how applicable this was to the Turks:

(a) In the Turkish hordes there was something, whatever it was, that naturally suggested some resemblance to serpents. Of the Turkmans when they began to spread their conquests over Asia, in the eleventh century, and an effort was made to rouse the people against them, Mr. Gibbon makes the following remark: "Massoud, the son and successor of Mahmoud, had too long neglected the advice of his wisest Omrahs. 'Your enemies' (the Turkmans), they repeatedly urged, 'were in their origin a swarm of ants; they are now little snakes; and unless they be instantly crushed, they will acquire the venom and magnitude. of serpents," vol. iv. p. 91.

(b) It is a remarkable fact that the horse's tail is a well-known Turkish standard - a symbol of office and authority. "The pashas are distinguished, after a Tartar custom, by three horsetails on the side of their tents, and receive by courtesy the title of beyler beg, or prince of princes. The next in rank are the pashas of two tails, the beys who are honored with one tail" - Edin. Ency. (art. "Turkey"). In the times of their early warlike career the principal standard was once lost in battle, and the Turkman commander, in default, cut off his horse's tail, lifted it on a pole, made it the rallying ensign, and so gained the victory. So Tournefort in his Travels states. The following is Ferrario's account of the origin of this ensign: "An author acquainted with their customs says, that a general of theirs, not knowing how to rally his troops that had lost their standards, cut off a horse's tail, and fixed it to the end of a spear; and the soldiers rallying at that signal, gained the victory."

He adds further, that whereas "on his appointment a pasha of the three tails used to receive a drum and a standard, now for the drum there have been substituted three horses' tails, tied at the end of a spear, round a gilded haft. One of the first officers of the palace presents him these three tails as a standard" (Elliott, vol. i. pp. 485, 486). This remarkable standard or ensign is found only among the Turks, and, if there was an intended reference to them, the symbol here would be the proper one to be adopted. The meaning of the passage where it is said that "their power is in their tails" would seem to be, that their tails were the symbol or emblem of their authority - as in fact the horse's tail is in the appointment of a pasha. The image before the mind of John would seem to have been, that he saw the horses belching out fire and smoke, and, what was equally strange, he saw that their power of spreading desolation was connected with the tails of horses. Anyone looking on a body of cavalry with such banners or ensigns would be struck with this unusual and remarkable appearance, and would speak of their banners as concentrating and directing their power. The above engraving, representing the standard of a Turkish pasha, will illustrate the passage before us.

(11) the number slain, Revelation 9:18. That is said to have been "the third part of men." No one in reading the accounts of the wars of the Turks, and of the ravages which they have committed, would be likely to feel that this is an exaggeration. It is not necessary to suppose that it is literally accurate, but it is such a representation as would strike one in looking over the world, and contemplating the effect of their invasions. If the other specifications in the symbol are correct, there would be no hesitation in admitting the propriety of this.

(12) the time of the continuance of this power. This is a material, and a more difficult point. It is said Revelation 9:15 to be "an hour, and a day, and a month, and a year"; that is, as explained, three hundred and ninety-one years, and the portion of a year indicated by the expression "an hour"; to wit, an additional twelfth or twenty-fourth part of a year. The question now is, whether, supposing the time to which this reaches to be the capture of Constantinople, and the consequent downfall of the Roman empire - the object, in view in this series of visions - in reckoning back from that period for 391 years, we should reach an epoch that would properly denote the moving forward of this power toward its final conquest; that is, whether there was any such marked epoch that, if the 391 years were added to it, it would reach the year of the conquest of Constantinople, 1453 a.d. The period that would be indicated by taking the number 391 from 1453 would be 1062 - and that is the time in which we are to look for the event referred to. This is on the supposition that the year consisted of 360 days, or twelve months of thirty days each. If, however, instead of this, we reckon 365 days and six hours, then the length of time would be found to amount to 396 years and 106 days.

This would make the time of the "loosening of the angels," or the moving forward of this power, to be 1057 a.d. In the uncertainty on this point, and in the unsettled state of ancient chronology, it would, perhaps, be vain to hope for minute accuracy, and it is not reasonable to demand it of an interpreter. On any fair principle of interpretation it would be sufficient if at about one of these periods - 1062 a.d. or 1057 ad - there was found such a definite or strongly marked event as would indicate a movement of the hitherto restrained power toward the West. This is the real point, then, to be determined. Now, in a common work on chronology I find this record: "1055 a.d., Turks reduce Bagdad, and overturn the empire of the caliphs." In a work still more important to our purpose (Gibbon, iv. 92, 93), under the date of 1055 a.d., I find a series of statements which will show the propriety of referring to that event as the one by which this power, so long restrained, was "let loose"; that is, was placed in such a state that its final conquest of the Eastern empire certainly followed.

The event was the union of the Turkish power with the caliphate in such a way that the sultan was regarded as "the temporal lieutenant of the vicar of the prophet." Of this event Mr. Gibbon gives the following account. After mentioning the conversion of the Turks to the Moslem faith, and especially the zeal with which the son of Seljuk had embraced that faith, he proceeds to state the manner in which the Turkish sultan Togrul came in possession of Bagdad, and was invested With the high office of the "temporal lieutenant of the vicar of the prophet." There were two caliphs, those of Bagdad and Egypt, and "the sublime character of the successor of the prophet" was "disputed" by them, iv. 93. Each of them became "solicitous to prove his title in the judgment of the strong though illiterate barbarians." Mr. Gibbon then says, "Mahmoud the Gaznevide had declared himself in favor of the line of Abbas; and had treated with indignity the robe of honor which was presented by the Fatimite ambassador. Yet the ungrateful Hashemite had changed with the change of fortune; he applauded the victory of Zendecan, and named the Seljukian sultan his temporal vicegerent over the Moslem world. As Togrul executed and enlarged this important trust, he was called to the deliverance of the caliph Cayem, and obeyed the holy summons, which gave a new kingdom to his arms. In the palace of Bagdad the commander of the faithful still slumbered, a venerable phantom. His servant or master, the prince of the Bowides, could no longer protect him from the insolence of meaner tyrants; and the Euphrates and the Tigris were oppressed by the revolt of the Turkish and Arabian emirs.

The presence of a conqueror was implored as a blessing; and the transient mischiefs of fire and sword were excused as the sharp but salutary remedies which alone could restore the health of the republic. At the head of an irresistible force the sultan of Persia marched from Hamadan; the proud were crushed, the prostrate were spared; the prince of the Bowides disappeared; the heads of the most obstinate rebels were laid at the feet of Togrul; and he inflicted a lesson of obedience on the people of Mosul and Bagdad. After the chastisement of the guilty, and the restoration of peace, the royal shepherd accepted the reward of his labors; and a solemn comedy represented the triumph of religious prejudice over barbarian power. The Turkish sultan embarked on the Tigris, landed at the gate of Racca, and made his public entry on horseback. At the palace gate he respectfully dismounted, and walked on foot preceded by his emirs without arms.

The caliph was seated behind his black veil; the black garment of the Abbassides was cast over his shoulders, and he held in his hand the staff of the Apostle of God. The conqueror of the East kissed the ground, stood some time in a modest posture, and was led toward the throne by the vizier and an interpreter. After Togrul had seated himself on another throne, his commission was publicly read, which declared him the temporal lieutenant of the vicar of the prophet. He was successively invested with seven robes of honor, and presented with seven slaves, the natives of the seven climates of the Arabian empire. His mystic veil was perfumed with musk; two crowns were placed on his head; two scimetars were girded to his side, as the symbols of a double reign over the East and West. Their alliance was cemented by the marriage of Togrul's sister with the successor of the prophet," iv. 93, 94. This event, so described, was of sufficient importance, as constituting a union of the Turkish power with the Moslem faith, as making it practicable to move in their conquests toward the West, and as connected in its ultimate results with the downfall of the Eastern empire, to make it an epoch in the history of nations. In fact, it was the point which one would have particularly looked at, after describing the movements of the Saracens (Revelation 9:1-11), as the next event that was to change the condition of the world.

Happily we have also the means of fixing the exact date of this event, so as to make it accord with singular accuracy with the period supposed to be referred to. The general time specified by Mr. Gibbon is 1055 a.d. This, according to the two methods referred to of determining the period embraced in the "hour, and day, and month, and year," would reach, if the period were 391 years, to 1446 a.d.; if the other method were referred to, making it 396 years and 106 days to 1451 a.d., with 106 days added, within less than two years of the actual taking of Constantinople. But there is a more accurate calculation as to the time than the general one thus made. In vol. iv. 93 Mr. Gibbon makes this remark: "Twenty-five years after the death of Basil his successors were suddenly assaulted by an unknown race of barbarians, who united the Scythian valor with the fanaticism of new proselytes, and the art and riches of a powerful monarchy."

He then proceeds (pp. 94ff) with an account of the invasions of the Turks. In vol. iii. 307 we have an account of the death of Basil. "In the sixty-eighth year of his age his martial spirit urged him to embark in person for a holy war against the Saracens of Sicily; he was prevented by death, and Basil, surnamed the slayer of the Bulgarians, was dismissed from the world, with the blessings of the clergy and the curses of the people." This occurred 1025 a.d. "Twenty-five years" after this would make 1050 a.d. To this add the period here referred to, and we have respectively, as above, the years 1446 a.d., or 1451 a.d., and 106 days. Both periods are near the time of the taking of Constantinople and the downfall of the Eastern empire (1453 a.d.), and the latter strikingly so; and, considering the general nature of the statement of Mr. Gibbon, and the great indefiniteness of the dates in chronology, may be considered as remarkable. - But we have the means of a still more accurate calculation.

It is by determining the exact period of the investiture of Togrul with the authority of caliph, or as the "temporal lieutenant of the vicar of the prophet." The time of this investiture, or coronation, is mentioned by Abulfeda as occurring on the 25th of Dzoulcad, in the year of the Hegira 449; and the date of Elmakin's narrative, who has given an account of this, perfectly agrees with this. Of this transaction Elmakin makes the following remark: "There was now none left in Irak or Chorasmia who could stand before him." The importance of this investiture will be seen from the charge which the caliph is reported by Abulfeda to have given to Togrul on this occasion: "The caliph commits to your care all that part of the world which God has committed to his care and dominion; and entrusts to thee, under the name of vicegerent, the guardianship of the pious, faithful, and God-serving citizens." The exact time of this investiture is stated by Abulfeda, as above, to be the 25th of Dzoulcad, A.H. 449.

Now, reckoning this as the time, and we have the following result: The 25th of Dzoulcad, A.H. 449, would answer to February 2, 1058 a.d. From this to May 29, 1453, the time when Constantinople was taken, would be 395 years and 116 days. The prophetic period, as above, is 396 years and 106 days - making a difference only of 1 year and 10 days - a result that cannot but be considered as remarkable, considering the difficulty of fixing ancient dates. Or if, with Mr. Elliott (i.-495-499), we suppose that the time is to be reckoned from the period when the Turkman power went forth from Bagdad on a career of conquest, the reckoning should be from the year of the Hegira 448, the year before the formal investiture, then this would make a difference of only 24 days. The date of that event was the 10th of Dzoulcad, A.H. 448. That was the day in which Togrul with his Turkmans, now the representative and head of the power of Islamism, quitted Bagdad to enter on a long career of war and conquest. "The part allotted to Togrul himself in the fearful drama soon to open against the Greeks was to extend and establish the Turkman dominion over the frontier countries of Irak and Mesopotamia, that so the requisite strength might be attained for the attack ordained of God's counsels against the Greek empire. The first step to this was the siege and capture of Moussul; his next of Singara. Nisibis, too, was visited by him; that frontier fortress that had in other days been so long a bulwark to the Greeks. Everywhere victory attended his banner - a presage of what was to follow."

Reckoning from that time, the coincidence between the period that elapsed from that, and the conquest of Constantinople, would be 396 years and 130 days - a period that corresponds, with only a difference of 24 days, with that specified in the prophecy according to the explanation already given. It could not be expected that a coincidence more accurate than this could be made out on the supposition that the prophecy was designed to refer to these events; and if it did refer to them, the coincidence could have occurred only as a prediction by Him who sees with perfect accuracy all the future.

(13) The effect. This is stated, in Revelation 9:20-21, to be that those who survived these plagues did not repent of their wickedness, but that the abominations which existed before still remained. In endeavoring to determine the meaning of this, it will be proper, first, to ascertain the exact sense of the words used, and then to inquire whether a state of things existed subsequent to the invasions of the Turks which corresponded with the description here:

(a) The explanation of the language used in Revelation 9:20-21.

The rest of the men - That portion of the world on which these plagues did not come. One third of the race, it is said, would fall under these calamities, and the writer now proceeds to state what would be the effect on the remainder. The language used - "the rest of the people" - is not such as to designate with certainty any particular portion of the world, but it is implied that the things mentioned were of very general prevalence.

Which were not killed by these plagues - The two-thirds of the race which were spared. The language here is such as would be used on the supposition that the crimes here referred to abounded in all those regions which came within the range of the vision of the apostle.

Yet repented not of the works of their hands - To wit, of those things which are immediately specified.

That they should not worship devils - Implying that they practiced this before. The word used here - δαιμόνιον daimonion - means properly "a god, deity"; spoken of the pagan gods, Acts 17:18; then a genius, or tutelary demon, e. g., that of Socrates; and, in the New Testament, a demon in the sense of an evil spirit. See the word fully explained in the notes on 1 Corinthians 10:20. The meaning of the passage here, as in 1 Corinthians 10:20, "they sacrifice to devils," is not that they literally worshipped devils in the usual sense of that term, though it is true that such worship does exist in the world, as among the Yezidis (see Layard, Nineveh and its Remains, vol. i. pp. 225-254, and Rosenmuller, Morgenland, iii.-212-216); but that they worshipped beings which were inferior to the Supreme God; created spirits of a rank superior to human beings, or the spirits of people that had been enrolled among the gods. This last was a common form of worship among the pagan, for a large portion of the gods whom they adored were heroes and benefactors who had been enrolled among the gods - as Hercules, Bacchus, etc. All that is necessarily implied in this word is, that there prevailed in the time referred to the worship of spirits inferior to God, or the worship of the spirits of departed people. This idea would be more naturally suggested to the mind of a Greek by the use of the word than the worship of evil spirits as such - if indeed it would have conveyed that idea at all; and this word would be properly employed in the representation if there was any homage rendered to departed human spirits which came in the place of the worship of the true God. Compare a dissertation on the meaning of the word used here, in Elliott on the Apocalypse, Appendix I. vol. ii.

And idols of gold, and silver, ... - Idols were formerly, as they are now in pagan lands, made of all these materials. The most costly would, of course, denote a higher degree of veneration for the god, or greater wealth in the worshipper, and all would be employed as symbols or representatives of the gods whom they adored. The meaning of this passage is, that there would prevail, at that time, what would be properly called idolatry, and that this would be represented by the worship paid to these images or idols. It is not necessary to the proper understanding of this, to suppose that the images or idols worshipped were acknowledged pagan idols, or were erected in honor of pagan gods, as such. All that is implied is, that there would be such images - εἴδωλα eidōla - and that a degree of homage would be paid to them which would be in fact idolatry. The word used here - εἴδωλον eidōlon, εἴδωλα eidōla - properly means an image, spectre, shade; then an idol-image, or what was a representative of a pagan god; and then the idol-god itself - a pagan deity. So far as the word is concerned, it may be applied to any kind of image-worship.

Which neither can see, nor hear, nor walk - The common representation of idol-worship in the Scriptures, to denote its folly and stupidity. See Psalm 115; compare Isaiah 44:9-19.

Neither repented they of their murders - This implies that, at the time referred to, murders would abound; or that the times would be characterized by what deserved to be called murder.

Nor of their sorceries - The word rendered "sorceries" - φαρμακεία pharmakeia - whence our word "pharmacy," means properly "the preparing and giving of medicine," Eng. "pharmacy" (Robinson's Lexicon). Then, as the art of medicine was supposed to have magical power, or as the persons who practiced medicine, in order to give themselves and their art greater importance, practiced various arts of incantation, the word came to be connected with the idea of magic sorcery, or enchantment. See Schleusner, Lexicon. In the New Testament the word is never used in a good sense, as denoting the preparation of medicine, but always in this secondary sense, as denoting sorcery, magic, etc. Thus, in Galatians 5:20, "the works of the flesh - idolatry, witchcraft," etc. Revelation 9:21, "of their sorceries." Revelation 18:23, "for by thy sorceries were all nations deceived." Revelation 21:8, "Whoremongers, and sorcerers." The word does not elsewhere occur in the New Testament; and the meaning of the word would be fulfilled in anything that purposed to accomplish an object by sorcery, by magical arts, by trick, by cunning, by sleight of hand, or "by deceiving the senses in any way." Thus, it would be applicable to all jugglery and to all pretended miracles.

Nor of their fornication - Implying that this would be a prevalent sin in the times referred to, and that the dreadful plagues which are here predicted would make no essential change in reference to its prevalence.

Nor of their thefts - Implying that this, too, would be a common form of iniquity. The word used here - κλέμμα klemma - is the common word to denote theft. The true idea in the word is that of privately, unlawfully, and feloniously taking the goods or movables of another person. In a larger and in the popular sense, however, this word might embrace all acts of taking the property of another by dishonest arts, or on false pretence, or without an equivalent.

(b) The next point then is, the inquiry whether there was any such state of things as is specified here existing in the time of the rise of the Turkish power, and in the time of the calamities which that formidable power brought upon the world. There are two things implied in the statement here:

(1) that these things had an existence before the invasion and destruction of the Eastern empire by the Turkish power; and,

(2) that they continued to exist after that, or were not removed by these fearful calamities.

The supposition all along in this interpretation is, that the eye of the prophet was on the Roman world, and that the design was to mark the various events which would characterize its future history. We look, then, in the application of this, to the state of things existing in connection with the Roman power, or that portion of the world which was then pervaded by the Roman religion. This will make it necessary to institute an inquiry whether the things here specified prevailed in that part of the world before the invasions of the Turks, and the conquest of Constantinople, and whether the judgments inflicted by that formidable Turkish invasion made any essential change in this respect:

(1) The statement that they worshipped devils; that is, as explained, demons, or the deified souls of people. Homage rendered to the spirits of departed people, and substituted in the place of the worship of the true God, would meet all that is properly implied here. We may refer, then, to the worship of saints in the Roman Catholic communion as a complete fulfillment of what is here implied in the language used by John. The fact cannot be disputed that the invocation of saints took the place, in the Roman Catholic communion, of the worship of sages and heroes in pagan Rome, and that the canonization of saints took the place of the ancient deification of heroes and public benefactors. The same kind of homage was rendered to them; their aid was invoked in a similar manner, and on similar occasions; the effect on the popular mind was substantially the same; and the one interfered as really as the other with the worship of the true God. The decrees of the seventh general council, known as the second council of Nice, 787 a.d., authorized and established the worshipping (προσκυνέω proskuneō - the same word used here - προσκυνήσωσι τὰ δαιμόνια proskunēsōsi ta daimonia) of the saints and their images.

This occurred after the exciting scenes, the debates, and the disorders produced by the Iconoclasts, or image-breakers, and after the most careful deliberation on the subject. In that celebrated council it was decreed, according to Mr. Gibbon (iii. 341), "unanimously," "that the worship of images is agreeable to Scripture and reason, to the fathers and councils of the church; but they hesitate whether that worship be relative or direct; whether the Godhead and the figure of Christ be entitled to the same mode of adoration." This worship of the "saints," or prayer to the saints, asking for their intercession, it is well known, has from that time everywhere prevailed in the papal communion. Indeed, a large part of the actual prayers offered in their services is addressed to the Virgin Mary. Mr. Maitland, "the able and learned advocate of the Dark Ages," says, "The superstition of the age supposed the glorified saint to know what was going on in the world; and to feel a deep interest, and to possess a considerable power, in the church militant on earth. I believe that they who thought so are altogether mistaken; and I lament, abhor, and am amazed at the superstition, blasphemies, and idolatries, which have grown out of that opinion" (Elliott, ii. p. 10).

As to the question whether this continued after the judgments brought upon the world by the hordes "loosed on the Euphrates," or whether they repented and reformed on account of the judgments, we have only to look into the Roman Catholic religion everywhere. Not only did the old practice of "daemonolatry," or the worship of departed saints, continue, but new "saints" have been added to the number, and the list of those who are to receive this homage has been continually increasing. Thus, in the year 1460, Catharine of Sienna was canonized by Pope Pius II; in 1482, Bonaventura; the blasphemer, by Sixtus IV; in 1494, Anselm by Alexander VI. Alexander's bull, in language more pagan than Christian, avows it to be the pope's duty thus to choose out, and to hold up the illustrious dead, as their merits claim, for adoration and worship.

(2) the statement that idolatry was practiced, and continued to be practiced, after this invasion: "Repented not that they should not worship idols of gold, silver, and brass." On this point, perhaps it would be sufficient to refer to what has been already noticed in regard to the homage paid to the souls of the departed; but it may be further and more clearly illustrated by a reference to the worship of images in the Roman Catholic communion. Anyone familiar with church history will recollect the long conflicts which prevailed respecting the worship of images; the establishment of images in the churches; the destruction of images by the "Iconoclasts"; and the debars on the subject by the council at Hiera; and the final decision in the second council of Nice, in which the propriety of image-worship was affirmed and established. See, on this subject, Bowers' History of the Popes, ii. 98ff, 144ff; Gibbon, vol. iii. pp. 322-341.

The importance of the question respecting image-worship may be seen from the remarks of Mr. Gibbon, iii. 322. He speaks of it as "a question of popular superstition which produced the revolt of Italy, the temporal power of the popes, and the restoration of the Roman empire in the West." A few extracts from Mr. Gibbon - who may be regarded as an impartial witness on this subject - will show what was the popular belief, and will confirm what is said in the passage before us in reference to the prevalence of idolatry. "The first introduction of a symbolic worship was in the veneration of the cross, and of relics. The saints and martyrs, when intercession was implored, were seated on the right hand of God; but the gracious, and often supernatural favors, which, in the popular belief, were showered round their tombs, conveyed an unquestionable sanction of the devout pilgrims who visited, and touched, and kissed these lifeless remains, the memorials of their merits and sufferings. But a memorial, more interesting than the skull or the sandals of a departed worthy, is a faithful copy of his person and features delineated by the arts of painting or sculpture. In every age such copies, so congenial to human feelings, have been cherished by the zeal of private friendship or public esteem; the images of the Roman emperors were adored with civil and almost religious honors; a reverence, less ostentatious, but more sincere, was applied to the statues of sages and patriots; and these profane virtues, these splendid sins, disappeared in the presence of the holy people who had died for their celestial and everlasting country.

At first the experiment was made with caution and scruple, and the venerable pictures were discreetly allowed to instruct the ignorant, to awaken the cold, and to gratify the prejudices of the pagan proselytes. By a slow, though inevitable progression, the honors of the original were transferred to the copy; the devout Christian prayed before the image of a saint, and the pagan rites of genuflexion, luminaries, and incense again stole into the Catholic Church. The scruples of reason or piety were silenced by the strong evidence of visions and miracles; and the pictures which speak, and move, and bleed, must be endowed with a divine energy, and may be considered as the proper objects of religious adoration. The most audacious pencil might tremble in the rash attempt of defining, by forms and colors, the infinite Spirit, the eternal Father, who pervades and sustains the universe. But the superstitious mind was more easily reconciled to paint and worship the angels, and above all, the Son of God, under the human shape, which on earth they have condescended to assume.

The Second Person of the Trinity had been clothed with a real and mortal body, but that body had ascended into heaven; and had not some similitude been presented to the eyes of his disciples, the spiritual worship of Christ might have been obliterated by the visible relies and representations of the saints. A similar indulgence was requisite, and propitious, for the Virgin Mary; the place of her burial was unknown; and the assumption of her soul and body into heaven was adopted by the credulity of the Greeks and Latins. The use, and even the worship of images, was firmly established before the end of the sixth century; they were fondly cherished by the warm imagination of the Greeks and Asiatics; the Pantheon and the Vatican were adorned with the emblems of a new superstition; but this semblance of idolatry was more coldly entertained by the rude barbarians and the Arian clergy of the West," vol. iii. p. 323.

Again: "Before the end of the sixth century these images, made without hands (in Greek it is a single word - ἀχειροποίητος acheiropoiētos), were propagated in the camps and cities of the Eastern empire; they were the objects of worship, and the instruments of miracles; and in the hour of dangler or tumult their venerable presence could revive the hope, rekindle the courage, or repress the fury of the Roman legions," vol. iii. pp. 324, 325. So again (vol. iii. pp. 340ff): - "While the popes established in Italy their freedom and dominion, the images, the first cause of their revolt, were restored in the Eastern empire. Under the reign of Constantine the Fifth, the union of civil and ecclesiastical power had overthrown the tree, without extirpating the root, of superstition. The idols, for such they were now held, were secretly cherished by the order and the sex most prone to devotion; and the fond alliance of the monks and females obtained a final victory over the reason and the authority of man."

Under Irene a council was convened - the second council of Nice, or the seventh general council - in which, according to Mr. Gibbon (iii. 341), it was "unanimously pronounced that the worship of images is agreeable to Scripture and reason, to the fathers and councils of the church." The arguments which were urged in favor of the worship of images, in the council above referred to, may be seen in Bowers' Lives of the Popes, vol. ii. pp. 152-158, Dr. Cox's edition. The answer of the bishops in the council to the question of the empress Irene, whether they agreed to the decision which had been adopted in the council, was in these words: "We all agree to it; we have all freely signed it; this is the faith of the apostles, of the fathers, and of the Catholic church; we all salute, honor, worship, and adore the holy and venerable images; be they accursed who do not honor, worship, and adore the adorable images" (Bowers' Lives of the Popes, ii. 159). As a matter of fact, therefore, no one can doubt that these images were worshipped with the honor that was due to God alone - or that the sin of idolatry prevailed; and no one can doubt that that has been continued, and is still, in the papal communion.

(3) the next point specified is murders Revelation 9:21; "Neither repented they of their murders." It can hardly be necessary to dwell on this to show that this was strictly applicable to the Roman power, and extensively prevailed, both before and after the Turkish invasion, and that that invasion had no tendency to produce repentance. Indeed, in nothing has the papacy been more remarkably characterized than in the number of murders perpetrated on the innocent in persecution. In reference to the fulfillment of this we may refer to the following things:

(a) Persecution. This has been particularly the characteristic of the Roman communion, it need not be said, in all ages. The persecutions of the Waldenses, if there were nothing else, show that the spirit here referred to prevailed in the Roman communion, or that the times preceding the Turkish conquest were characterized by what is here specified. In the third Lateran council, 1179 a.d., an anathema was declared against certain dissentients and heretics, and then against the Waldenses themselves in papal bulls of the years 1183, 1207, 1208. Again, in a decree of the fourth Lateran council, 1215 a.d., a crusade, as it was called, was proclaimed against them, and "plenary absolution promised to such as should perish in the holy war, from the day of their birth to the day of their death." "And never," says Sismondi, "had the cross been taken up with more unanimous consent." It is supposed that in this crusade against the Waldenses a million people perished.

(b) That this continued to be the characteristic of the papacy after the judgments brought upon the Roman world by the Turkish invasion, or that those judgments had no tendency to produce repentance and reformation, is well known, and is manifest from the following things:

(1) The continuance of the spirit of persecution.

(2) the establishment of the Inquisition. 150,000 persons perished by the Inquisition in thirty years; and from the beginning of the order of the Jesuits in 1540 to 1580, it is supposed that nine hundred thousand persons were destroyed by persecution.

(3) the same spirit was manifested in the attempts to suppress the true religion in England, in Bohemia, and in the Low Countries. Fifty thousand persons were hanged, burned, beheaded, or buried alive, for the crime of heresy, in the Low Countries, chiefly under the Duke of Alva, from the edict of Charles V against the Protestants to the peace of Chateau Cambresis in 1559. Compare the notes on Daniel 7:24-28. To these are to be added all that fell in France on the revocation of the edict of Nantz; all that perished by persecution in England in the days of Mary; and all that have fallen in the bloody wars that have been waged in the propagation of the papal religion. The number is, of course, unknown to mortals, though efforts have been made by historians to form some estimate of the amount. It is supposed that fifty million of persons have perished in these persecutions of the Waldenses, Albigenses, Bohemian Brethren, Wycliffites, and Protestants; that some fifteen million of Indians perished in Cuba, Mexico, and South America, in the wars of the Spaniards, professedly to propagate the Catholic faith; that three million and a half of Moors and Jews perished, by Catholic persecution and arms, in Spain; and that thus, probably no less than sixty-eight million and five hundred thousand human beings have been put to death by this one persecuting power. See Dr. Berg's Lectures on Romanism, pp. 6, 7. Assuredly, if this be true, it would be proper to characterize the times here referred to, both before and after the Turkish invasion, as a time when murders would prevail.

(4) the fourth point specified is sorceries. It can hardly be necessary to go into detail to prove that this also abounded; and that delusive appeals to the senses; false and pretended miracles; arts adapted to deceive through the imagination; the supposed virtue and efficacy of relics; and frauds calculated to impose on mankind, have characterized those portions of the world where the Roman religion has prevailed, and been one of the principal means of its advancement. No Protestant surely would deny this, no intelligent Catholic can doubt it himself. All that is necessary to be said in regard to this is, that in this, as in other respects, the Turkish invasion, and the judgments that came upon the world, made no change. The very recent imposture of the "holy coat of Treves" is a full proof that the disposition to practice such arts still exists, and that the power to impose on a large portion of the world in that denomination has not died away.

(5) the fifth thing specified is fornication. This has abounded everywhere in the world; but the use of the term in this connection implies that there would be something special here, and perhaps that it would be associated with the other things referred to. It is as unnecessary as it would be improper to go into any detail on this point. Anyone who is acquainted with the history of the Middle Ages - the period here supposed to be referred to - must be aware of the widespread licentiousness which then prevailed, especially among the clergy. Historians and poets, ballads, and acts of councils, alike testify to this fact. It is to be remarked also, as illustrating the subject, that the dissoluteness of the Middle Ages was closely, and almost necessarily, connected with the worship of the images and the saints above referred to.

The character of many of those who were Worshipped as saints, like the character of many of the gods of the pagan Romans, was just such as to be an incentive to every species of licentiousness and impurity. On this point Mr. Hallam makes the following remarks: "That the exclusive worship of saints, under the guidance of an artful though illiterate priesthood, degraded the understanding, and begat a stupid credulity and fanaticism, is sufficiently evident. But it was also so managed as to loosen the bonds of religion, and pervert the standard of morality" (Middle Ages, vol. ii. pp. 249, 250; edit. Phil. 1824). He then, in a note, refers to the legends of the saints as abundantly confirming his statements. See particularly the stories in the Golden Legend. So, in speaking of the monastic orders, Mr. Hallam (Middle Ages, vol. ii. 253) says: "In vain new rules of discipline were devised, or the old corrected by reforms. Many of their worst vices grew so naturally out of their mode of life that a stricter discipline would have no tendency to extirpate them. Their extreme licentiousness was sometimes hardly concealed by the cowl of sanctity."

In illustration of this we may introduce here a remark of Mr. Gibbon, made in immediate connection with his statement about the decrees respecting the worship of images. "I shall only notice," says he, "the judgment of the bishops on the comparative merit of image-worship and morality. A monk had concluded a truce with the demon of fornication, on condition of interrupting his daily prayers to a picture that hung in his cell. His scruples prompted him to consult the abbot. 'Rather than abstain from adoring Christ and his mother in their holy images, it would be better for you,' replied the casuist, 'to enter every brothel, and visit every prostitute in the city,'" iii. 341. So again, Mr. Gibbon, speaking of the pope, John 12. says: "His open simony might be the consequence of distress; and his blasphemous invocation of Jupiter and Venus, if it be true, could not possibly be serious. But we read with some surprise that the worthy grandson of Marozia lived in public adultery with the matrons of Rome; that the Lateran palace was turned into a place for prostitution, and that his rapes (if virgins and of widows had deterred the female pilgrims from visiting the tomb of Peter, lest, in the devout act, they should be violated by his successor," iii. 353. Again, the system of indulgences led directly to licentiousness. In the pontificate of John 22, about 1320 a.d., there was invented the celebrated Tax of Indulgences, of which more than forty editions are extant. According to this, incest was to cost, if not detected, five groschen; if known and flagrant, six. A certain price was affixed in a similar way to adultery, infanticide, etc. See Merle D'Aubigne's Reformation, vol. i. p. 41. And further, the very pilgrimages to the shrines of the saints, which were enjoined as a penance for sin, and which were regarded as a ground of merit, were occasions of the grossest licentiousness.

So Hallam, Middle Ages, says: "This licensed vagrancy was naturally productive of dissoluteness, especially among the women. Our English ladies, in their zeal to obtain the spiritual treasuries of Rome, are said to have relaxed the necessary caution about one that was in their own custody," vol. ii. 255. The celibacy of the clergy also tended to licentiousness, and is known to have been everywhere productive of the very sin which is mentioned here. The state of the nunneries in the middle ages is well known. In the fifteenth century Gerson, the French orator so celebrated at the council of Constance, called them Prostibula meretricum. Clemangis, a French theologian, also contemporary, and a man of great eminence, thus speaks of them: Quid aliud sunt hoc tempore puellarum monasteria, nisi quaedam non dico Dei sanctuaria, sed veneris execranda prostibula; ut idem sit hodie puellam velare, quod et publice a.d. scortandum exponere (Hallam, Middle Ages, ii. 253). To this we may add the fact that it was a habit, not infrequent, to license the clergy to live in concubinage (see the proof in Elliott, i. 447, note), and that the practice of auricular confession necessarily made "the tainting of the female mind an integral part of Roman priest-craft, and gave consecration to the communings of impurity." It hardly needs any proof that these practices continued after the invasions of the Turkish hordes, or that those invasions made no changes in the condition of the world in this respect. In proof of this we need refer only to Pope Innocent VIII, elected in 1484 to the papacy.

His character is told in the well-known epigram:

Octo nocens pueros genuit, totidemque puellas;

Hunc merito potuit dicere Roma patrem.

It was to Alexander VI, his successor, who at the close of the fifteenth century stood before the world a monster, notorious to all, of impurity and vice; and to the general well-known character of the Roman Catholic clergy. "Most of the ecclesiastics," says the historian Infessura, "had their mistresses; and all the convents of the capital were houses of ill fame."

(6) the sixth thing specified Revelation 9:21 is thefts; that is, as explained, the taking of the property of others by dishonest arts, on false pretences, or without any proper equivalent. In the inquiry as to the applicability of this to the times supposed to be here referred to, we may notice the following things, as instances in which money was extorted from the people:

(a) The value fraudulently assigned to relics. Mosheim, in his historical sketch of the twelfth century, observes: "The abbots and monks carried about the country the carcasses and relics of saints, in solemn procession, and permitted the multitude to behold, touch, and embrace the sacred remains, at fixed prices."

(b) The exaltation of the miracle-working merit of particular saints, and the consecration of new saints, and dedication of new images, when the popularity of the former died away. Thus, Mr. Hallam says: "Every cathedral or monastery had its tutelar saint, and every saint his legend; fabricated in order to enrich the churches under his protection; by exaggerating his virtues and his miracles, and consequently his power of serving those who paid liberally for his patronage."

(c) The invention and sale of indulgences - well known to have been a vast source of revenue to the church. Wycliffe declared that indulgences were mere forgeries whereby the priesthood "rob people of their money; a subtle merchandise of Antichrist's clerks, whereby they magnify their own fictitious power, and instead of causing people to dread sin, encourage people to wallow therein as hogs."

(d) The prescription of pilgrimages as penances was another prolific source of gain to the church that deserves to be classed under the name of thefts. Those who made such pilgrimage were expected and required to make an offering at the shrine of the saint; and as multitudes went on such pilgrimages, especially on the jubilee at Rome, the income from this source was enormous. An instance of what was offered at the shrine of Thomas Becket will illustrate this. Through his reputation Canterbury became the Rome of England. A jubilee was celebrated every fiftieth year to his honor, with plenary indulgence to all such as visited his tomb; of whom one hundred thousand were registered at one time. Two large volumes were filled with accounts of the miracles performed at his tomb. The following list of the value of offerings made in two successive years to his shrine, the Virgin Mary's, and Christ's, in the cathedral at Canterbury, will illustrate at the same time the gain from these sources, and the relative respect shown to Becket, Mary, and the Saviour

First Year British shillings d. pounds Christ's Altar 3 2 6 Virgin Mary's 63 5 6 Becket's 832 12 9 Next Year Christ's Altar 0 0 0 Virgin Mary's 4 1 8 Becket's 954 6 3
Of the jubilee of 1300 a.d. Muratori relates the result as follows: "Papa innumerabilem pecuniam ab iisdem recepit; quia die et nocte duo elerici stabant a.d. altare Sancti Pauli, tenentes in eorum manibus rastellos, rastellantes pecuniam infinitam. " "The pope received from them a countless amount of money; for two clerks stood at the altar of Paul night and day, holding in their hands little rakes, collecting an infinite amount of money" (Hallam).

(e) Another source of gain of this kind was the numerous testamentary bequests with which the church was enriched obtained by the arts and influence of the clergy. In Wycliffe's time there were in England 53,215 faeda milltum, of which the religious had 28,000 - more than one-half. Blackstone says that, but for the intervention of the legislature, and the statute of mortmain, the church would have appropriated in this manner the whole of the land of England, vol. 4, p. 107.

(f) The money left by the dying to pay for masses, and that paid by survivors for masses to release the souls of their friends from purgatory all of which deserve to be classed under the word "thefts" as already explained - was another source of vast wealth to the church; and the practice was systematized on a large scale, and, with the other things mentioned, deserves to be noticed as a characteristic of the times. It is scarcely necessary to add, that the judgments which were brought upon the world by the Turkish invasions made no essential change, and worked no repentance or reformation, and hence that the language here is strictly applicable to these things: "Neither repented they of their murders, nor of their sorceries, nor of their fornication, nor of their thefts."

Revelation 9:21
Neither repented they of their murders, nor of their sorceries, nor of their fornication, nor of their thefts.

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PHILADELPHIA FAITH SALVATION MISSION-PHILADEFAISM

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PHILADELPHIA FAITH SALVATION MISSION-PHILADEFAISM

''Preparing the Way for the Return of YAHUWAH Elohim and His Messiah!VICTORIOUS CONGREGATION INTERNATIONAL- REVELATION -3:7-13

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''Preparing the Way for the Return of YAHUWAH Elohim and His Messiah!
VICTORIOUS CONGREGATION INTERNATIONAL- REVELATION -3:7-13